Review article
Identity of Work of Fine Arts in the Generated Process
Stjepko Rupčić
; Faculty of Teacher Education, University of Zagreb
Abstract
In everyday practice computer is used as a means to achieve something. It is rarely used for creative production in which case we speak about the interaction with what the computer enables us to do. We may use the existing programmes as ready-made products as well as places which are changed by reprogramming the already existing programme and changing its settings in a creative way. Thus, a computer's intelligence is situated in its programme. By its nature any programme is a collection of various inputs, strategies and ideas designed to interact with the users. In the case in which a programme transcends the role of a tool and mobilizes its user, it becomes a language, a text, a communicative process. In the emerged identity and knowledge – those terms are the key to the hermeneutical and interactive processes: works of art. The paper studies the relations and aesthetical principles which have emerged as a consequence of co-creativeness in the circumstances in which the work of fine art has been created. It also addresses the problem of the oculocentric culture which, as a dimension of the majority, directs the perception of the crowd towards the traditional understanding derived from the Cartesian doctrine of bipolarity as the foundation of modern thought.
Keywords
artistic process; hermeneutical; identity; oculocentric culture; software
Hrčak ID:
137686
URI
Publication date:
25.2.2015.
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