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Original scientific paper

https://doi.org/10.22586/pp.v43i66.30351

The Frankapan Seat of Modruš with Tržan-grad in Jan van Scorel’s Holy Kinship in Obervellach

Ivan Jurković


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page 205-236

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Abstract

According to his biographer, Karel van Mander, the Netherlandish painter Jan van Scorel spent a brief period studying with Albrecht Dürer before setting of for Carinthia, where he was warmly received by the local nobility. Historians have long been aware of the commissions from this period of van Scorel’s career – the Adoration of the Magi and the Frangipani-Altar. Originally a triptych, the latter work was “modernized” and, in 1692, encased in a Baroque altar housing in the church of St. Martin in the Carinthian village of Obervellach. The coats of arms on the reverse of the Holy Kinship indicate that the painting was commissioned by Count Christopher Frankapan and his wife Apollonia Lang of Wellenburg. However, over time, art historians have assumed that the Holy Kinship portrays members of the Lang family, leading to the conclusion that the work was commissioned by Apollonia’s brother, Matthäus Lang von Wellenburg, Cardinal and Prince-Archbishop of Salzburg. However, the backdrop against which the family members are portrayed, featuring the town, new fortress, and castle on the hill, corresponds to Modruš with Tržan-grad, owned at the time by the Frankapan family.

Keywords

Bernardin and Christopher Frankapan of Modruš; Apollonia Lang; Jan van Scorel; Frangipani-Altar; Modruš; Venice; 1518 – 1519

Hrčak ID:

319237

URI

https://hrcak.srce.hr/319237

Publication date:

8.7.2024.

Article data in other languages: croatian

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