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Original scientific paper

ART DEMONSTRATES THAT FOOTBALL IS METASTASIZED, AND GIVES IT REFUGE

Ozren Biti orcid id orcid.org/0000-0002-9228-0438 ; Institute of Ethnology and Folklore Research, Zagreb, Croatia


Full text: croatian pdf 286 Kb

page 185-204

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Full text: english pdf 136 Kb

page 205-205

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Abstract

This article presents an analysis of the characteristics of football as depicted in the bestselling novel Metastaze (Metastases) (2006) by Alen Bović and in its two subsequent adaptations – the play Metastaze (Metastases) directed by Boris Svrtan and the film Metastaze (Metastases) directed by Branko Schmidt. Football as it appears in these three pieces is metastasized: it is deviant and in fact undergoes so many significant changes that it no longer has much in common with the original game. Artistic reality is seen as corresponding to social reality, and reasons for the metastasized nature of football are found on both levels. Based on the proposed analysis of Metastaze and a comparative analysis of descriptions of football in other books, plays and films in Croatia and abroad a hypothesis is put forward whereby art offers evidence as to the metastasized nature of football. A greater challenge still is to establish whether art might, at the same time, provide refuge to the metastasized football, revitalizing its aesthetic and ethical dimension. Given the scope of these claims, the arguments in the article are based on a wide array of texts and authors ranging from literary criticism, anthropology of games and sociology of sport to semiotics, cultural studies and aesthetics.

Keywords

football; art; literature; game; aesthetics; ethics; metastases

Hrčak ID:

93754

URI

https://hrcak.srce.hr/93754

Publication date:

14.12.2012.

Article data in other languages: croatian

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