Conference paper

ATTEMPTS AT MODERNIZATION OF SERBIAN PAINTING

Katarina Pavlović ; Narodni muzej u Beogradu

Abstract

It i s k n oiv» t hat fo r c e nturies, historical ci rcu»rstances
hađ inf luenced Serbian painting making i t q u i te
conservatii >e, anđ >1rat feii individual at tempts at modev>ri
zation ha d »o s i g nr f ica»t vesults. I t i i Qs only Na dežćtćr
Petrović u>ho really succeeded in the adoption of European
ć;chieve>»e>rts. Togelher ui th German palnters, she cveateđ
expressionis>n i» Ml o>ich. I t i s »ag»clv suggested that,
as early as 1915, she also co>n»litted herself to a bst ractic
»is>». Hoii>ever, ei e» i f thi s cannot be stated for sure,
>»>»levo»s (acts rei eal that a bst ractionism was ini tiated
i» Belgrade at the begi>rni»g of 1930ies (Bijelić, Petros).
Accordingly, there u"ere avtists u>ho might have achieved
1!re Ellvopean level br>t obslructions ivere laid along t1reir
i"ćry by l h e g ene>al course o f the development of o u r
«.>ll>rve, the CO»Seque»CeS Of ii>hiCh appear tO alSO entail
eff«CtS O» f>le pr«Se>rt State Of »iSual artS.

Keywords

Hrčak ID:

153346

URI

https://hrcak.srce.hr/153346

Publication date:

15.12.1989.

Article data in other languages: serbian

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