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Original scientific paper

The Association of Artists Zemlja (1929–1935) and Artist Networking

Petar Prelog ; Institut za povijest umjetnosti


Full text: croatian pdf 966 Kb

page 28-39

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Full text: english pdf 966 Kb

page 28-39

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Abstract

This paper analyses the Association of Artists
Zemlja (1929–1935) – the organized group of left-wing and
socially engaged painters, sculptors and architects – as a social
network. The two-mode network analysis and the accompanying
visualizations provide an opportunity to identify the artists who
have played the most important role in this network, that is, who
have occupied its central position, as well as the exhibitions –
the events connecting the artists – which have emerged as key
network constituents. Such an approach – based on the number
of exhibited works by all participating artists at the Zemlja
exhibitions and the analysis of four centrality measures – enables
new insights into the position and importance of individual artists
and exhibitions within the network and serves as a confirmation
of the existing art historical interpretations, as well as raises
some new research questions. In addition, this paper also offers a
succinct overview of Zemlja’s wide-reaching “geography” – from
London in the West, to Sofia in the East of Europe.

Keywords

Association of Artists Zemlja; social network; twomode network analysis; Krsto Hegedušić; Croatian modern art

Hrčak ID:

180254

URI

https://hrcak.srce.hr/180254

Publication date:

1.12.2016.

Article data in other languages: croatian

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