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Preliminary communication

https://doi.org/10.31664/zu.2018.102.02

Subversiveness in Hybrid Art Practices

Olga Majcen Linn ; independent researcher, Zagreb, Croatia


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Full text: english pdf 1.068 Kb

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Abstract

This paper focuses on the subversive potential of hybrid art based on three controversial case studies: ARTE-mis by Maja Smrekar, GPT Bunny by Eduardo Kac, and Disembodied Cuisine by the art group Tissue Culture and Art. All of them, each in its own way, deal with the human attitude towards animals. In terms of theory, the present analysis is based on the premises of philosophic post-humanism in a broader sense of the term, Giorgio Agamben’s considerations on the relationship between man and animal, various theories on subversive art, and the current insights on hybrid art. The author’s main hypothesis is that hybrid art has a considerable subversive potential, which relies on the use of unexpected materials and procedures from extra-artistic, scientific disciplines, and on their transposition into the public field, which challenges the viewer by making him or her face living art creatures instead of artistic objects.

Keywords

subversion; hybrid art; bio-art; Maja Smrekar; Eduardo Kac; Tissue Culture and Art

Hrčak ID:

203841

URI

https://hrcak.srce.hr/203841

Publication date:

1.7.2018.

Article data in other languages: croatian

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