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Original scientific paper

https://doi.org/10.31664/zu.2019.105.03

Exhibition Networks in the “Globalized” Contemporary Art Field — The Case of Contemporary Artists from Croatia

Tihana Puc orcid id orcid.org/0000-0003-2659-5893 ; independent researcher, Zagreb, Croatia


Full text: english pdf 4.329 Kb

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Full text: croatian pdf 4.329 Kb

page 42-75

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Abstract

The contemporary art field is increasingly the object of distant reading, in particular when examining the globalization of the immensely expanded field and the complexity of relations that configure it. Despite the rise in the availability of structured data that such a practice presupposes, lacunae reflecting global asymmetries remain. Highlighting the issue for Croatia, the paper examines the impact of globalization processes on the contemporary artists from Croatia.Artists’ biographies are used as a source for mapping the artists’ circulation, and as a data source for network analysis. The analysis of the exhibition activity of sixty-one artists for a twenty-year period brings insights into the geographical and institutional distribution of the exhibitions, as well as into the construction of artists’ international “careers.” The examination of artists-institutions networks sheds light on the conditions of their international intersections. Finally, an indication of future research is given, directed towards uncovering potential subsystems, beyond those which have thus far been recognized to have been created under the impact of territorial or status-related factors.

Keywords

globalization of contemporary art; contemporary artists from Croatia; contemporary art exhibitions; artistsinstitutions networks

Hrčak ID:

233171

URI

https://hrcak.srce.hr/233171

Publication date:

1.12.2019.

Article data in other languages: croatian

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