Filozofska istraživanja, Vol. 40 No. 3, 2020.
Preliminary communication
https://doi.org/10.21464/fi40306
Abstract Film – Discursive and Sensory Characteristics
Vanja Obad
orcid.org/0000-0002-8783-1477
; Naugarder Straße 37, DE–10409 Berlin
Abstract
The paper elaborates specific perceptive purposes and structural procedures generated by the various experimental abstract films and shows the ways how abstract film engages spectator’s attention. By “liberating” our visual system from representational (daily visual) experience, the abstract film encourages us to cultivate different sensory and sensual sensibility, explore new associations and alternative paths for moods and emotions. Various streams of abstract film will be analysed, relying primarily on classical abstract films (Whitney brothers, McLaren, Richter, and Eggeling, etc.).
Keywords
abstract film; abstract animation; experimental film; avant-garde film; abstract art; visual music; synesthesia; minimalism; cognitive theory of film; experience
Hrčak ID:
245116
URI
Publication date:
21.10.2020.
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