Skip to the main content

Original scientific paper

https://doi.org/10.21464/sp37103

Hermeneutical Tendencies in Lessing’s Interpretations of Visual Art in Laocoon

Dušan Milenković orcid id orcid.org/0000-0003-1860-5502 ; Univerzitet u Nišu, Filozofski fakultet, Ćirila i Metodija 2, RS–18000 Niš


Full text: english pdf 501 Kb

page 41-67

downloads: 261

cite

Full text: croatian pdf 501 Kb

page 66-66

downloads: 112

cite

Full text: german pdf 501 Kb

page 66-66

downloads: 61

cite

Full text: french pdf 501 Kb

page 66-67

downloads: 71

cite


Abstract

In this paper, I examine the extent to which the theoretical procedures for interpreting works of visual art, which Gotthold Ephraim Lessing describes in his famous book Laocoon: An Essay Upon the Limits of Painting and Poetry, are comparable to various methods of interpretation from the tradition of hermeneutics. To achieve this, I analyse how Robert S. Leventhal and Frederick Burwick approached Lessing’s interpretation techniques and try to expand their views and apply them to Lessing’s thoughts in Laocoon. I will focus on the idea that Lessing’s procedures for interpreting works of visual art depend, to a certain extend, on his methods for analysing literature. Even though these authors did not link Lessing’s thoughts to the hermeneutical theory of Friedrich Schleiermacher, I will also explore whether there are certain similarities in their views on the main constituents of the process of interpretation.

Keywords

Gotthold Ephraim Lessing; Laocoon; hermeneutics; visual art; aesthetics

Hrčak ID:

284025

URI

https://hrcak.srce.hr/284025

Publication date:

30.8.2022.

Article data in other languages: croatian german french

Visits: 931 *