Skip to the main content

Original scientific paper

Between Anime and Opera: Female Characters in Kōji Morimoto's Animated Film Magnetic Rose

Irena Paulus ; Umjetnička škola Franje Lučića, Velika Gorica


Full text: croatian pdf 690 Kb

page 53-65

downloads: 280

cite


Abstract

Japanese director Kōji Morimoto has created characters, script, scenography, music and other elements of his animated film Magnetic Rose on the basis of two Puccini’s operas, Tosca and Madama Butterfly. He designed the main character, the operatic singer Eva, after Puccini’s heroines, Floria Tosca and Cio-Cio-San. Eva sings two arias and a duet from Puccini, interpreted by Maria Callas and adapted for the film by composer Yōko Kanno. The article explores how librettos and their literary predecessors, theatrical plays La Tosca by Victorien Sardou and Madama Butterfly: A Tragedy of Japan by David Belasco, provide parallel readings or even the Urtext of Morimoto's film; it explains how operatic heroines’ tragic destiny (typical for operatic style verismo) influence film’s catharsis and how Aristotle’s understanding of the Greek tragedy (via Sardou’s understanding of the notion of pièce bien faite) permeates the structure of Magnetic Rose.

Keywords

female characters; anime; opera; Magnetic Rose; Tosca; Madama Butterfly

Hrčak ID:

288000

URI

https://hrcak.srce.hr/288000

Publication date:

21.12.2022.

Article data in other languages: croatian

Visits: 869 *