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Original scientific paper

https://doi.org/10.21066/carcl.libri.11.2.1

Modern Architecture and Ideology in German Children’s Literature

Jörg Meibauer ; Johannes Gutenberg Universität Mainz, Deutsches Institut, Mainz, Germany


Full text: english pdf 884 Kb

page 231-252

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Abstract

Architecture, in the real world as well as in the fictional world of children’s literature, seems always to be connected with ideology, i.e. a system of beliefs held by a social group or society as a whole. This is shown with respect to German children’s literature dealing with famous buildings of the 20th century, namely the semi-detached house by Le Corbusier and Pierre Jeanneret in the Stuttgart Weißenhofsiedlung that is portrayed in Hannelore erlebt die Großstadt by Clara Hohrath (1935 [1931]), the Hochhaus an der
Weberwiese by Hermann Henselmann in the Berlin Stalinallee, figuring in Die Flaschenpost im Hochhaus by Annegret Hofmann and Helga Leue (1988), and the 660–680 Lake Shore Drive Apartments by Ludwig Mies van der Rohe in Chicago, described in Alles Bauhaus? Eine fantastische Zeitreise mit Mia und Lucas by Ingolf Kern, Werner Möller and Kitty Kahane (2019).

Keywords

architecture; Bauhaus; ideology; propaganda; Stalinallee;

Hrčak ID:

294289

URI

https://hrcak.srce.hr/294289

Publication date:

20.12.2022.

Article data in other languages: croatian

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