Skoči na glavni sadržaj

Izvorni znanstveni članak

https://doi.org/10.21464/sp37103

Hermeneutical Tendencies in Lessing’s Interpretations of Visual Art in Laocoon

Dušan Milenković orcid id orcid.org/0000-0003-1860-5502 ; Univerzitet u Nišu, Filozofski fakultet, Ćirila i Metodija 2, RS–18000 Niš


Puni tekst: engleski pdf 501 Kb

str. 41-67

preuzimanja: 455

citiraj

Puni tekst: hrvatski pdf 501 Kb

str. 66-66

preuzimanja: 188

citiraj

Puni tekst: njemački pdf 501 Kb

str. 66-66

preuzimanja: 106

citiraj

Puni tekst: francuski pdf 501 Kb

str. 66-67

preuzimanja: 123

citiraj


Sažetak

In this paper, I examine the extent to which the theoretical procedures for interpreting works of visual art, which Gotthold Ephraim Lessing describes in his famous book Laocoon: An Essay Upon the Limits of Painting and Poetry, are comparable to various methods of interpretation from the tradition of hermeneutics. To achieve this, I analyse how Robert S. Leventhal and Frederick Burwick approached Lessing’s interpretation techniques and try to expand their views and apply them to Lessing’s thoughts in Laocoon. I will focus on the idea that Lessing’s procedures for interpreting works of visual art depend, to a certain extend, on his methods for analysing literature. Even though these authors did not link Lessing’s thoughts to the hermeneutical theory of Friedrich Schleiermacher, I will also explore whether there are certain similarities in their views on the main constituents of the process of interpretation.

Ključne riječi

Gotthold Ephraim Lessing; Laocoon; hermeneutics; visual art; aesthetics

Hrčak ID:

284025

URI

https://hrcak.srce.hr/284025

Datum izdavanja:

30.8.2022.

Podaci na drugim jezicima: hrvatski njemački francuski

Posjeta: 1.861 *