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https://doi.org/10.15291/SIC/2.5.LC.1

‘Crack Nature’s Molds’: Reasoned Madness and Evolution in King Lear

Matthew Smith ; University of Alabama


Puni tekst: engleski pdf 173 Kb

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Sažetak

King Lear as a product of evolutionary progressions is logical because the play is framed around two ideas of society and generation in direct confrontation. The sociopolitical ramifications of King Lear are clarified when viewed as an evolutionary progression because societal causality is mirrored in nature. The connection between Lear’s madness and nature’s role in determining societal evolution is demonstrated in the evolutionary notion that “everybody is what he typically is because his progenitors were what they were . . . [i]n the molecular structure of the minute germ of him,” (Maudsley 4) and that and social events are connected with the mechanistic march of nature. When Lear bellows “Crack nature’s molds, all germens spill at once,” (3.2.8) he is requesting the impossible, that the laws of causation be terminated and evolution be put on hold.

Ključne riječi

Evolutionary Criticism; reason; philosophy; Shakespeare; King Lear; consilience; evolution; mechanism; madness; nature

Hrčak ID:

140982

URI

https://hrcak.srce.hr/140982

Datum izdavanja:

15.6.2015.

Posjeta: 2.319 *