Filozofska istraživanja, Vol. 40 No. 4, 2020.
Prethodno priopćenje
https://doi.org/10.21464/fi40402
Fictional Emotions and the Moral Dimension of the Paradox of Fiction in Cinema
Mario Slugan
; Queen Mary University of London, Mile End Rd, Bethnal Green, London E1 4NS UK
Sažetak
The paper offers a twofold intervention in the debates about the paradox of fiction. First, it argues that too much emphasis has been placed on the paradox’ epistemological aspect. This has led to a neglect of its ethical dimension. Specifically, little has been said about the ethical issues of regularly caring for fictional entities while exhibiting comparatively far less concern for reallife fellow men and women. Second, the essay argues that it is often the case that it is reallife structures rather than fictional entities that cause emotions. In the case of horror, for example, we are not afraid of the fictional monster but of an off possibility that something like this might exist in the real world. Importantly, the proposal differs from the counterfactualist approaches because it allows that fictional entities may cause emotions. Specifically, emotions which do not have clearly defined accompanying typical actions, such as sympathy and antipathy.
Ključne riječi
paradox of fiction; emotion; morality; film
Hrčak ID:
251489
URI
Datum izdavanja:
17.12.2020.
Posjeta: 1.936 *