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Ivica Đikić's Beara, Documentary Novel on the Border of Fiction and Reality

Mirna Sindičić Sabljo orcid id orcid.org/0000-0002-3778-158X


Puni tekst: hrvatski pdf 281 Kb

str. 128-146

preuzimanja: 168

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Puni tekst: engleski pdf 281 Kb

str. 128-146

preuzimanja: 211

citiraj


Sažetak

The paper analyzes the documentary novel Beara by Ivica Đikić, which thematizes the genocide in Srebrenica through the lens of Colonel Ljubiša Beara, a key figure in the organization of mass executions in July 1995. Đikić tries to understand what motivated Beara to perform such a task. In the paper, Đikić’s novel is viewed in the context of literary representations of the Srebrenica massacre and as part of a wider tradition of documentary literature, and based on the theories of Zygmunt Bauman and Hannah Arendt, the phenomenon of the banality of evil and bureaucratic rationality in genocides is explored. The paper also deals with the wider literary and cultural echoes of the genocide in Srebrenica, emphasizing the role of literature as a medium of collective memory.

Ključne riječi

Beara; documentary literature; Ivica Đikić; Srebrenica

Hrčak ID:

330799

URI

https://hrcak.srce.hr/330799

Datum izdavanja:

14.5.2025.

Podaci na drugim jezicima: hrvatski

Posjeta: 978 *