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Ana Adamec ; Gliptoteka u Zagrebu

Puni tekst: hrvatski, pdf (22 MB) str. 249-254 preuzimanja: 126* citiraj
APA 6th Edition
Adamec, A. (1988). Secesija i modernitet. Peristil, 31-32 (1), 249-254. Preuzeto s
MLA 8th Edition
Adamec, Ana. "Secesija i modernitet." Peristil, vol. 31-32, br. 1, 1988, str. 249-254. Citirano 16.04.2021.
Chicago 17th Edition
Adamec, Ana. "Secesija i modernitet." Peristil 31-32, br. 1 (1988): 249-254.
Adamec, A. (1988). 'Secesija i modernitet', Peristil, 31-32(1), str. 249-254. Preuzeto s: (Datum pristupa: 16.04.2021.)
Adamec A. Secesija i modernitet. Peristil [Internet]. 1988 [pristupljeno 16.04.2021.];31-32(1):249-254. Dostupno na:
A. Adamec, "Secesija i modernitet", Peristil, vol.31-32, br. 1, str. 249-254, 1988. [Online]. Dostupno na: [Citirano: 16.04.2021.]

Zagreb u as included in the artistic nio! e»ie>ifs of E«ropean
Secession by the creafiie uork of the»ie»ibers of
t he Society of Cr oatian Fig»ral Ar t ists, a>nong thein R.
Frangeš and R. Valdec acting as pro»ioters of ne>v ideas
in the domain of sc>i/pt»re. Gifted avith oc
uith a st rong feeling for contemporaneity and introducing
neu> expressive tools, rich i>i »ioćifs, fhe» actually i>itrodr the movement of Modernisni. R. Frangeš made sculptures
of vavying dimensions, ranging fro»i rea/is»i a>id i»ipressionisn>
thvough maximally purified surfaces. Sy>nbolic
topics u'ere used by R. Valdec, by» of mor e condensed fov>ns uit h ih e appearance of
stylizatio», from the origins through b/azi>ig li»earity, harmony
of fopics and stylistics. I. Me štrović extended the
sculptural dime»sions by ar t istic exper!t epochs,
co»slructing a sc»/pti the same fou»tain, he disco>ered a >>eu uay of >naki»g a
relievo u'ith a predo»ii»ance of lines and facets. Along with
the line, expression became a constant nnd a constit«ent of
both a reliei o and a separate sculpture. At ćhe e»d of t l ie
19th and beginning of fhe 20fh century, the >nodev» fov>»s
thus created u >ere of iit>nost importance for the fi Croatia..

Hrčak ID: 153370



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