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MODERN THEATER AND THE AUDIENCE OR THE AUDIENCE’S CONTEMPT TO JUSTIFICATION OF ITS ESCAPE

Sanja Nikčević ; Odsjek za kazališnu umjetnost Umjetničke akademije u Osijeku

Puni tekst: engleski, pdf (253 KB) str. 149-173 preuzimanja: 66* citiraj
APA 6th Edition
Nikčević, S. (2016). MODERN THEATER AND THE AUDIENCE OR THE AUDIENCE’S CONTEMPT TO JUSTIFICATION OF ITS ESCAPE. Dani Hvarskoga kazališta, 42 (1), 149-173. Preuzeto s https://hrcak.srce.hr/158040
MLA 8th Edition
Nikčević, Sanja. "MODERN THEATER AND THE AUDIENCE OR THE AUDIENCE’S CONTEMPT TO JUSTIFICATION OF ITS ESCAPE." Dani Hvarskoga kazališta, vol. 42, br. 1, 2016, str. 149-173. https://hrcak.srce.hr/158040. Citirano 28.03.2020.
Chicago 17th Edition
Nikčević, Sanja. "MODERN THEATER AND THE AUDIENCE OR THE AUDIENCE’S CONTEMPT TO JUSTIFICATION OF ITS ESCAPE." Dani Hvarskoga kazališta 42, br. 1 (2016): 149-173. https://hrcak.srce.hr/158040
Harvard
Nikčević, S. (2016). 'MODERN THEATER AND THE AUDIENCE OR THE AUDIENCE’S CONTEMPT TO JUSTIFICATION OF ITS ESCAPE', Dani Hvarskoga kazališta, 42(1), str. 149-173. Preuzeto s: https://hrcak.srce.hr/158040 (Datum pristupa: 28.03.2020.)
Vancouver
Nikčević S. MODERN THEATER AND THE AUDIENCE OR THE AUDIENCE’S CONTEMPT TO JUSTIFICATION OF ITS ESCAPE. Dani Hvarskoga kazališta [Internet]. 2016 [pristupljeno 28.03.2020.];42(1):149-173. Dostupno na: https://hrcak.srce.hr/158040
IEEE
S. Nikčević, "MODERN THEATER AND THE AUDIENCE OR THE AUDIENCE’S CONTEMPT TO JUSTIFICATION OF ITS ESCAPE", Dani Hvarskoga kazališta, vol.42, br. 1, str. 149-173, 2016. [Online]. Dostupno na: https://hrcak.srce.hr/158040. [Citirano: 28.03.2020.]
Puni tekst: hrvatski, pdf (253 KB) str. 149-173 preuzimanja: 601* citiraj
APA 6th Edition
Nikčević, S. (2016). SUVREMENO KAZALIŠTE I PUBLIKA ILI OD PREZIRA PUBLIKE DO OPRAVDANJA NJEZINOG BIJEGA. Dani Hvarskoga kazališta, 42 (1), 149-173. Preuzeto s https://hrcak.srce.hr/158040
MLA 8th Edition
Nikčević, Sanja. "SUVREMENO KAZALIŠTE I PUBLIKA ILI OD PREZIRA PUBLIKE DO OPRAVDANJA NJEZINOG BIJEGA." Dani Hvarskoga kazališta, vol. 42, br. 1, 2016, str. 149-173. https://hrcak.srce.hr/158040. Citirano 28.03.2020.
Chicago 17th Edition
Nikčević, Sanja. "SUVREMENO KAZALIŠTE I PUBLIKA ILI OD PREZIRA PUBLIKE DO OPRAVDANJA NJEZINOG BIJEGA." Dani Hvarskoga kazališta 42, br. 1 (2016): 149-173. https://hrcak.srce.hr/158040
Harvard
Nikčević, S. (2016). 'SUVREMENO KAZALIŠTE I PUBLIKA ILI OD PREZIRA PUBLIKE DO OPRAVDANJA NJEZINOG BIJEGA', Dani Hvarskoga kazališta, 42(1), str. 149-173. Preuzeto s: https://hrcak.srce.hr/158040 (Datum pristupa: 28.03.2020.)
Vancouver
Nikčević S. SUVREMENO KAZALIŠTE I PUBLIKA ILI OD PREZIRA PUBLIKE DO OPRAVDANJA NJEZINOG BIJEGA. Dani Hvarskoga kazališta [Internet]. 2016 [pristupljeno 28.03.2020.];42(1):149-173. Dostupno na: https://hrcak.srce.hr/158040
IEEE
S. Nikčević, "SUVREMENO KAZALIŠTE I PUBLIKA ILI OD PREZIRA PUBLIKE DO OPRAVDANJA NJEZINOG BIJEGA", Dani Hvarskoga kazališta, vol.42, br. 1, str. 149-173, 2016. [Online]. Dostupno na: https://hrcak.srce.hr/158040. [Citirano: 28.03.2020.]

Sažetak
The role of audience in the theatre dramatically changed from equal participants in periods of ritual theatre (Classicism, Middle Ages) to the so-called »imitating« periods (Renaissance and Neoclassicism) where audience needed specialized knowledge to watch a play. The twentieth century deepened the gap between mainstream theatre and audience completely. Since directors’/ post dramatic theatre, which is for the most part violent, shocking and non-communicative, started dominating the mainstream theatre, audience started protesting. Mainstream theatre and theory reacted promptly and declared audience incompetent, calling them »backward, uneducated and uninformed«. In response, audience started to leave theatre in eighties, which seriously worried financiers but not theatres. To avoid complaints about lack of audience, directors cut down theatre auditoriums, searched for new (smaller) facilities, justified a small number of performances by co productions, and sometimes manipulated with audience number data.

Ključne riječi
Twentieth Century; audience; European theatre; directors’/post dramatic theatre; mainstream theatre

Hrčak ID: 158040

URI
https://hrcak.srce.hr/158040

[hrvatski]

Posjeta: 862 *