hrcak mascot   Srce   HID

Pregledni rad

Bodily Conditionality of Film

Ivana Keser Battista   ORCID icon ; University of Zagreb, Academy of Fine Arts, Zagreb, Croatia

Puni tekst: hrvatski, pdf (347 KB) str. 533-542 preuzimanja: 337* citiraj
APA 6th Edition
Keser Battista, I. (2015). Tjelesna uvjetovanost filma. Filozofska istraživanja, 35 (3), 533-542. Preuzeto s
MLA 8th Edition
Keser Battista, Ivana. "Tjelesna uvjetovanost filma." Filozofska istraživanja, vol. 35, br. 3, 2015, str. 533-542. Citirano 07.04.2020.
Chicago 17th Edition
Keser Battista, Ivana. "Tjelesna uvjetovanost filma." Filozofska istraživanja 35, br. 3 (2015): 533-542.
Keser Battista, I. (2015). 'Tjelesna uvjetovanost filma', Filozofska istraživanja, 35(3), str. 533-542. Preuzeto s: (Datum pristupa: 07.04.2020.)
Keser Battista I. Tjelesna uvjetovanost filma. Filozofska istraživanja [Internet]. 2015 [pristupljeno 07.04.2020.];35(3):533-542. Dostupno na:
I. Keser Battista, "Tjelesna uvjetovanost filma", Filozofska istraživanja, vol.35, br. 3, str. 533-542, 2015. [Online]. Dostupno na: [Citirano: 07.04.2020.]

The paper deals with the layered relationship between film and different modes of representing corporeality, i.e. its extremes: from allegorical representation to the emphasized absence of corporeal aspects. In the last thirty years film finds its foothold in specific cultural contexts, it deals with (bio)political body, the question of abjection, marginality, otherness, the question of identity. Emphasis on corporeality is found in reflexive film, which appears in 1980’s through different conceptions: as abjection film (A. Varda, M. Lee), marginality film, suburban film, as filmic writing (cinécriture), while recently through thematisation of the body it manifests in films of the new French corporeality (in directors such as J.-P. and L. Dardenne, B. Dumont, C. Denis). It is also recognised in films of excess (G. Noé) and aesthetics of appropriation (D. Jarman, M. Slabošpicki), as well as in films that deal with normativity (A. Kiarostami, H. Farocki). These directors are having direct or indirect dialogue with the contemporaries who thematise the body: Jean-Luc Nancy, Gilles Deleuze, Julia Kristeva, Michel Foucault, Giorgio Agamben, Hélène Cixous, Frantz Fanon, Jacques Derrida, Alain Badiou.

Ključne riječi
corporeality; philosophy; filmosophy; biopolitics; abjection film; marginality film; suburban film; filmic writing; aesthetics of appropriation

Hrčak ID: 158787



Posjeta: 533 *