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Epistemological Matrix of Contemporary Visual Culture

Jure Vujić   ORCID icon orcid.org/0000-0002-9247-1277 ; Institute for Geopolitics and Strategic Research, Zagreb

Puni tekst: hrvatski, pdf (501 KB) str. 1851-1870 preuzimanja: 80* citiraj
APA 6th Edition
Vujić, J. (2018). Epistemološke matrice suvremene vizualne kulture, uvod u zapadnoskopiju. In medias res, 7 (12), 1851-1870. Preuzeto s https://hrcak.srce.hr/200699
MLA 8th Edition
Vujić, Jure. "Epistemološke matrice suvremene vizualne kulture, uvod u zapadnoskopiju." In medias res, vol. 7, br. 12, 2018, str. 1851-1870. https://hrcak.srce.hr/200699. Citirano 06.04.2020.
Chicago 17th Edition
Vujić, Jure. "Epistemološke matrice suvremene vizualne kulture, uvod u zapadnoskopiju." In medias res 7, br. 12 (2018): 1851-1870. https://hrcak.srce.hr/200699
Harvard
Vujić, J. (2018). 'Epistemološke matrice suvremene vizualne kulture, uvod u zapadnoskopiju', In medias res, 7(12), str. 1851-1870. Preuzeto s: https://hrcak.srce.hr/200699 (Datum pristupa: 06.04.2020.)
Vancouver
Vujić J. Epistemološke matrice suvremene vizualne kulture, uvod u zapadnoskopiju. In medias res [Internet]. 2018 [pristupljeno 06.04.2020.];7(12):1851-1870. Dostupno na: https://hrcak.srce.hr/200699
IEEE
J. Vujić, "Epistemološke matrice suvremene vizualne kulture, uvod u zapadnoskopiju", In medias res, vol.7, br. 12, str. 1851-1870, 2018. [Online]. Dostupno na: https://hrcak.srce.hr/200699. [Citirano: 06.04.2020.]

Sažetak
The mental structure of the hipermodern West, which has been compounded since the Renaissance until today, reflecting a complex mutation of the collective and individual view of the world, maintaining a radical change of Western epistemology of perception and interpretation of the world. After the “culture as a picture” as opposed to “culture as a text” we may find ourselves in another type of reduction - those of visual awareness and all-time internalized videocentrism that dissolving the heritage of Western-European metaphysics that pervades social and humanistic sciences until the end of the 20th century. Such long picture’s autonomization and emancipation of language, speech and script reveals the philosophical and metapolitical matrices of so-called “ West- visual scope” as a kind of visual obsession.

Ključne riječi
hipermodern west; visual; culture; west; postmodernity; scope; picture; matrix; espistemology

Hrčak ID: 200699

URI
https://hrcak.srce.hr/200699

[hrvatski]

Posjeta: 179 *