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https://doi.org/10.21464/fi40401

Film as Philosophy: The Wittgenstein Case

Marko Kardum ; Sveučilište u Zagrebu, Fakultet hrvatskih studija, Borongajska cesta 83d, HR–10000 Zagreb

Puni tekst: engleski, pdf (337 KB) str. 684-684 preuzimanja: 71* citiraj
APA 6th Edition
Kardum, M. (2020). Film as Philosophy: The Wittgenstein Case. Filozofska istraživanja, 40 (4), 684-684. https://doi.org/10.21464/fi40401
MLA 8th Edition
Kardum, Marko. "Film as Philosophy: The Wittgenstein Case." Filozofska istraživanja, vol. 40, br. 4, 2020, str. 684-684. https://doi.org/10.21464/fi40401. Citirano 30.11.2021.
Chicago 17th Edition
Kardum, Marko. "Film as Philosophy: The Wittgenstein Case." Filozofska istraživanja 40, br. 4 (2020): 684-684. https://doi.org/10.21464/fi40401
Harvard
Kardum, M. (2020). 'Film as Philosophy: The Wittgenstein Case', Filozofska istraživanja, 40(4), str. 684-684. https://doi.org/10.21464/fi40401
Vancouver
Kardum M. Film as Philosophy: The Wittgenstein Case. Filozofska istraživanja [Internet]. 2020 [pristupljeno 30.11.2021.];40(4):684-684. https://doi.org/10.21464/fi40401
IEEE
M. Kardum, "Film as Philosophy: The Wittgenstein Case", Filozofska istraživanja, vol.40, br. 4, str. 684-684, 2020. [Online]. https://doi.org/10.21464/fi40401
Puni tekst: hrvatski, pdf (337 KB) str. 665-684 preuzimanja: 131* citiraj
APA 6th Edition
Kardum, M. (2020). Film kao filozofija: slučaj Wittgenstein. Filozofska istraživanja, 40 (4), 665-684. https://doi.org/10.21464/fi40401
MLA 8th Edition
Kardum, Marko. "Film kao filozofija: slučaj Wittgenstein." Filozofska istraživanja, vol. 40, br. 4, 2020, str. 665-684. https://doi.org/10.21464/fi40401. Citirano 30.11.2021.
Chicago 17th Edition
Kardum, Marko. "Film kao filozofija: slučaj Wittgenstein." Filozofska istraživanja 40, br. 4 (2020): 665-684. https://doi.org/10.21464/fi40401
Harvard
Kardum, M. (2020). 'Film kao filozofija: slučaj Wittgenstein', Filozofska istraživanja, 40(4), str. 665-684. https://doi.org/10.21464/fi40401
Vancouver
Kardum M. Film kao filozofija: slučaj Wittgenstein. Filozofska istraživanja [Internet]. 2020 [pristupljeno 30.11.2021.];40(4):665-684. https://doi.org/10.21464/fi40401
IEEE
M. Kardum, "Film kao filozofija: slučaj Wittgenstein", Filozofska istraživanja, vol.40, br. 4, str. 665-684, 2020. [Online]. https://doi.org/10.21464/fi40401

Sažetak
This paper examines the relationship between film and philosophy, especially in the light of Wittgenstein’s philosophy and his claim that a (motion) picture represents the world better than the language itself and that, in that sense, it has philosophical relevance. It starts with an often made comparison of film illustrating philosophy, film about philosophy or philosophers, and film as philosophy. While the first two types are not particularly philosophically relevant or theoretically challenging and therefore not considered to be problematic, the third concept shows the opposite, and it is approached within Wittgenstein’s philosophy. Namely, it is necessary to show why film as motion picture would even be possible for Wittgenstein as philosophy, or more precisely, what it is exactly that enables the film to be like philosophy. To illustrate this, Wittgenstein’s philosophy is analysed, with an emphasis on the difference between the early and late phase of his work. Yet his two philosophical studies, paradigmatic for these phases, show a certain continuity in consideration of images. Foremostly, they supply the primary argument that image, and by extension film as a series of images, best represents the world, that is, that for Wittgenstein it stands as a two­dimensional model. Since it is possible to show that image for Wittgenstein does not depend on linguistic interpretation, it can be shown that film as philosophy is possible precisely but not exclusively from the angle of Wittgenstein’s philosophical work. This treats the image as an independent bearer of meaning, which ultimately results in understanding Wittgenstein’s philosophy as directly opposed to the Western philosophical tradition. Thus, one of the possible interpretations of film’s philosophical relevance is possible to find in Wittgenstein’s understanding of pictures.

Ključne riječi
Ludwig Wittgenstein; film; film as philosophy; image; language

Hrčak ID: 251488

URI
https://hrcak.srce.hr/251488

[hrvatski]

Posjeta: 522 *