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Stereotypy in the Portrayal of Female Characters in Genealogical Cycles of William Faulkner and Miroslav Krleža : Eula Varner Snopes and Charlotta Castelli -Glembay

Biljana Oklopčić ; Faculty of Philosophy, Osijek, Croatia

Puni tekst: hrvatski, pdf (274 KB) str. 99-118 preuzimanja: 3.695* citiraj
APA 6th Edition
Oklopčić, B. (2008). Stereotipija u prikazu ženskoga lika u genealoškim ciklusima Williama Faulknera i Miroslava Krleže: Eula Varner Snopes i Charlotta Castelli-Glembay. FLUMINENSIA, 20 (1), 99-118. Preuzeto s https://hrcak.srce.hr/27258
MLA 8th Edition
Oklopčić, Biljana. "Stereotipija u prikazu ženskoga lika u genealoškim ciklusima Williama Faulknera i Miroslava Krleže: Eula Varner Snopes i Charlotta Castelli-Glembay." FLUMINENSIA, vol. 20, br. 1, 2008, str. 99-118. https://hrcak.srce.hr/27258. Citirano 08.07.2020.
Chicago 17th Edition
Oklopčić, Biljana. "Stereotipija u prikazu ženskoga lika u genealoškim ciklusima Williama Faulknera i Miroslava Krleže: Eula Varner Snopes i Charlotta Castelli-Glembay." FLUMINENSIA 20, br. 1 (2008): 99-118. https://hrcak.srce.hr/27258
Harvard
Oklopčić, B. (2008). 'Stereotipija u prikazu ženskoga lika u genealoškim ciklusima Williama Faulknera i Miroslava Krleže: Eula Varner Snopes i Charlotta Castelli-Glembay', FLUMINENSIA, 20(1), str. 99-118. Preuzeto s: https://hrcak.srce.hr/27258 (Datum pristupa: 08.07.2020.)
Vancouver
Oklopčić B. Stereotipija u prikazu ženskoga lika u genealoškim ciklusima Williama Faulknera i Miroslava Krleže: Eula Varner Snopes i Charlotta Castelli-Glembay. FLUMINENSIA [Internet]. 2008 [pristupljeno 08.07.2020.];20(1):99-118. Dostupno na: https://hrcak.srce.hr/27258
IEEE
B. Oklopčić, "Stereotipija u prikazu ženskoga lika u genealoškim ciklusima Williama Faulknera i Miroslava Krleže: Eula Varner Snopes i Charlotta Castelli-Glembay", FLUMINENSIA, vol.20, br. 1, str. 99-118, 2008. [Online]. Dostupno na: https://hrcak.srce.hr/27258. [Citirano: 08.07.2020.]

Sažetak
Defined as genealogies, Faulkner’s Snopes trilogy (The Hamlet, The Town, The Mansion) and Krleža’s
Glembay trilogy (Gospoda Glembajevi, U agoniji, Leda), together with corresponding short stories
and novels, share a whole array of common characteristics. One of them is the stereotypical
characterization of women characters. This point of view is justified by the appearance of Eula
Varner Snopes as the ravished Southern belle and the rehabilitated Dixie Madonna and Charlotta
Castelli-Glembay as the Nietzschean cat woman and femme fatale.

Ključne riječi
genealogy; Miroslav Krleža; William Faulkner; stereotype; Eula Varner Snopes; Charlotta Castelli-Glembay

Hrčak ID: 27258

URI
https://hrcak.srce.hr/27258

[hrvatski]

Posjeta: 4.431 *