hrcak mascot   Srce   HID

Izvorni znanstveni članak

Truth in the Art. Reflections on Cognitive Aspects of Visual Art

Katarina Rukavina ; Rijeka, Croatia

Puni tekst: hrvatski, pdf (409 KB) str. 567-586 preuzimanja: 7.084* citiraj
APA 6th Edition
Rukavina, K. (2009). Istina u umjetnosti. Refleksije o spoznajnim aspektima vizualne umjetnosti. Filozofska istraživanja, 29 (3), 567-586. Preuzeto s https://hrcak.srce.hr/46142
MLA 8th Edition
Rukavina, Katarina. "Istina u umjetnosti. Refleksije o spoznajnim aspektima vizualne umjetnosti." Filozofska istraživanja, vol. 29, br. 3, 2009, str. 567-586. https://hrcak.srce.hr/46142. Citirano 20.11.2019.
Chicago 17th Edition
Rukavina, Katarina. "Istina u umjetnosti. Refleksije o spoznajnim aspektima vizualne umjetnosti." Filozofska istraživanja 29, br. 3 (2009): 567-586. https://hrcak.srce.hr/46142
Harvard
Rukavina, K. (2009). 'Istina u umjetnosti. Refleksije o spoznajnim aspektima vizualne umjetnosti', Filozofska istraživanja, 29(3), str. 567-586. Preuzeto s: https://hrcak.srce.hr/46142 (Datum pristupa: 20.11.2019.)
Vancouver
Rukavina K. Istina u umjetnosti. Refleksije o spoznajnim aspektima vizualne umjetnosti. Filozofska istraživanja [Internet]. 2009 [pristupljeno 20.11.2019.];29(3):567-586. Dostupno na: https://hrcak.srce.hr/46142
IEEE
K. Rukavina, "Istina u umjetnosti. Refleksije o spoznajnim aspektima vizualne umjetnosti", Filozofska istraživanja, vol.29, br. 3, str. 567-586, 2009. [Online]. Dostupno na: https://hrcak.srce.hr/46142. [Citirano: 20.11.2019.]

Sažetak
The theorizing of seeing and visible has been a typical and essentially defining philosophical problem since the very beginning of philosophy. Plato and Aristotle define the basic ways of approaching to reality. Whether it is considered to be illusion (idealism) or sensory givenness (materialism), it always remains presented. We try to analyze different aspects which point out the cognitive side of visual arts (painting above all) and which we recognize as consciousness of reality.
The historical development of art, considering its cognitive character, appears explicitly with Hegel for the first time. The necessary consequence of such development, according to Hegel, is so called the end of art which means that art emerging does not correspond to its ultimate definition and meaning. His prediction of the death of art can be seen in the major part of the 20th century art, which abandons mimetic presentation and aims at abstraction and the destruction of visual in narrow sense. In spite of that, we are going to try to present even such an approach as the presentation of something or as making something visible. That “something” is, in our opinion, nothing else but the consciousness of reality.

Ključne riječi
seeing; reality; visual art; mimesis; visual thought; scopic regimes; ocularcentrism; postmodernism

Hrčak ID: 46142

URI
https://hrcak.srce.hr/46142

[hrvatski]

Posjeta: 7.861 *