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Wounded History: A Reading of Edwidge Danticat’s Fiction
Jelena Šesnić
orcid.org/0000-0002-4276-3490
; Filozofski fakultet Sveučilišta u Zagrebu, Zagreb, Hrvatska
Sažetak
The contemporary Haitian American writer Edwidge Danticat appropriates in her fiction representational models observable also in so-called minority, post- or neo-colonial writing, which bears comparison to the dynamics of trauma as laid out in contemporary cultural theory based on the revision and rereading of Freud’s texts (especially by Laplanche, Caruth, Felman). Drawing on Danticat’s
fictional texts, such as the novels The Farming of Bones (1998) and Breath, Eyes, Memory (1994), and a short story collection Krik? Krak! (1995), the article suggests indispensable links between the project of articulating traumatic events underlying collective, but unrecognized and so-far unrecorded, history, and the projects of bearing witness and carrying on the memory of an event. This
conjunction is crucial for the articulation of collective, group history, and finds its embodiment in the hybrid form of historiographic metafiction and testimonial writing, while observing the temporal structure of traumatic belatedness and deferral, and the ultimate impossibility of transposing the traumatic into the narrative (The Farming of Bones; Krik? Krak!). The other line of argument tries
to foreground the impact of structuring or base trauma as it interferes with the working-through and the transposition of a personal trauma into a coherent narrative of one’s Bildung (Breath, Eyes, Memory). Still, these impasses mark a significant cultural intervention launched by Danticat and other similarly positioned authors in order to account for and bear witness to a history that
articulates itself as an impossible, because traumatic, narrative.
Ključne riječi
Edwidge Danticat; history; cultural trauma; structuring trauma
Hrčak ID:
10337
URI
Datum izdavanja:
1.2.2007.
Posjeta: 2.828 *