Skoči na glavni sadržaj

Izvorni znanstveni članak

https://doi.org/10.21464/fi41304

Mallarmé’s Rhythm: Between Phenomenon and Différance

Adrian Pelc ; Universität Wien, Institut für Slawistik, Spitalgasse 2, Hof 3 (Campus), AT–1090 Wien


Puni tekst: hrvatski pdf 385 Kb

str. 531-548

preuzimanja: 106

citiraj

Puni tekst: engleski pdf 385 Kb

str. 548-548

preuzimanja: 54

citiraj


Sažetak

The notion of rhythm in the works of Stephane Mallarmé has a specific position upon which all the poet’s most taunting ideas refract. Following the line this notion opens, in the first step established are the parallels between Mallarmé’s aesthetic postulates and Husserl’s phenomenology. In the second step, the Husserl – Mallarmé parallel serves as a matrix for understanding some basic paradoxes of Derrida’s deconstruction. It will be shown that Derrida, too, was in search of a specific, distinctive rhythm. In the third step, it will be shown how from Mallarmé, over Derrida’s workthrough, the rhythm (rhythm of appearance and rhythm of verse, rhythm of words and rhythm of whiteness) became one of the discrete, but most radical theoretical premises among some of the most influential philosophers of the postmodern: Agamben, Kristeva, Rancière, Nancy.

Ključne riječi

Stephane Mallarmé, Jacques Derrida, Edmund Husserl, verse, rhythm, deconstruction, phenomenon, idea

Hrčak ID:

264358

URI

https://hrcak.srce.hr/264358

Podaci na drugim jezicima: hrvatski

Posjeta: 376 *