Filozofska istraživanja, Vol. 44 No. 3, 2024.
Pregledni rad
https://doi.org/10.21464/fi44303
The Influence of Kant’s Thought on the Theory of (Post)Modern Art. Greenberg, Lyotard, Rancière
Katarina Rukavina
orcid.org/0000-0003-3973-7651
; Sveučilište u Rijeci, Akademija primijenjenih umjetnosti, Ul. Slavka Krautzeka 83, HR–51000 Rijeka
Sažetak
This paper discusses the influence of Kant’s thought on the theory of modern art through the writings of three selected authors: the American art critic and art theorist of the older generation Clement Greenberg, and the contemporary French philosophers Jean-Francois Lyotard and Jacques Rancière. In Modernistic painting, Greenberg connects the “Kantian” self-criticism with the application of self-criticism in modern art as a guarantee of its “purity”, quality, and autonomy, Lyotard’s text Answer to the Question: What is Postmodern? connects modern art with Kant’s concept of the sublime, while Rancière’s text Division of the Sensible speaks of the distribution of sensibility through a fundamental change in the position and understanding of the place of art in the modern age, relying on Kant’s Critique of the Power of Judgment. The article tries to show the strong presence of Kant’s thought in the theory of art of our time, which testifies to its relevance and comprehensiveness.
Ključne riječi
Immanuel Kant; Clement Greenberg; Jean-François Lyotard; Jacques Rancière; modern art; postmodern art; critique; politics
Hrčak ID:
328748
URI
Datum izdavanja:
5.12.2024.
Posjeta: 68 *