Izvorni znanstveni članak
On the performance chronology of Držić’s plays
Milovan Tatarin
; Filozofski fakultet, Osijek
Sažetak
Having first conducted the analysis of the draft on the performance chronology of Držić’s plays (Armin Pavić, Franjo Petračić, Milan Rešetar, Miljenko Foretić, Nikola Batušić) and appendices with archival data that help us date the performances more precisely (Petar Kolendić, Miroslav Pantić), we propose a somewhat updated chronology. Furthermore, some of the controversial issues are discussed: was Pomet performed inside or outside; were Tirena and Pripovijes kako se Venere božica užeže u ljubav lijepoga Adona u komediju stavljena performed on the same evening in 1551; in
whose house was Tirena with the new prologue staged; can the performance year of Tripče de Utolče and Arkulin be positively determined.
Ključne riječi
Marin Držić; Dubrovnik; renaissance; theatre
Hrčak ID:
65890
URI
Datum izdavanja:
31.12.2010.
Posjeta: 2.999 *