Filozofska istraživanja, Vol. 37 No. 2, 2017.
Preliminary communication
https://doi.org/10.21464/fi37211
Aesthetics and Poetics in Andrić’s Signs by the Roadside
Vesna Vukićević-Janković
orcid.org/0000-0001-5578-0997
; Univerzitet Crne Gore, Filozofski fakultet u Nikšiću, Danila Bojovića bb, ME–81400 Nikšić
Abstract
Multidimensionality and plurality of views and opinions, from psychology and sociology of art, over art history, to philosophical aesthetics, is what characterizes contemporary aesthetics, as well as Andrić’s fragmented prose. Andrić did not identify with any philosophical system, and he did not insist on creating in accordance with any aesthetical theory. Andrić developed a unique personal poetical aesthetics that might correspond to some philosopho-aesthetical dispositions and understandings, that might diverge from other, and even anticipate the premises of certain aesthetical theories. His aesthetical way of painting and articulating the world was grounded in the binary-oppositional system of relations, as well as in bi-set relations of signs that defined the system.
Keywords
Ivo Andrić; contemporary aesthetics; poetic aesthetics; fragmented prose; play; beauty; death; postmodernity; simulacrum
Hrčak ID:
188033
URI
Publication date:
23.8.2017.
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