Filozofska istraživanja, Vol. 40 No. 3, 2020.
Preliminary communication
https://doi.org/10.21464/fi40303
Film Spectacle and Cinematic Culture: Film Horror in the Age of World-Image
Dario Vuger
orcid.org/0000-0001-6842-0579
; Ulica ruža 54, HR–10310 Ivanić Grad
Abstract
In this paper, the author establishes and defends the thesis that the 1980s horror film production acts as a paradigm of the spectacle, especially in terms of the system of reduction of immediate life to image related mediations and phenomena. Thus, three disparate elements are now connected in a conceptual framework by which author supposes one must judge the media theory and media at large at the end of the twentieth and the beginning of the twenty-first century. The three elements are the Heideggerian notion of the age of the world-picture, the Debordian notion of the spectacle, and the Deleuzian experiment of the philosophy of film that, through Beller, establishes itself as a film philosophy, to be a possible answer to the contemporary state of a society in which the film spectacle reflects itself in the essentially cinematic culture, that is, in society put in motion exclusively only through the relation of image representations.
Keywords
film; spectacle; world-picture; horror; cinematic culture
Hrčak ID:
245113
URI
Publication date:
21.10.2020.
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