Original scientific paper

On the performance chronology of Držić’s plays

Milovan Tatarin ; Filozofski fakultet, Osijek

Abstract

Having first conducted the analysis of the draft on the performance chronology of Držić’s plays (Armin Pavić, Franjo Petračić, Milan Rešetar, Miljenko Foretić, Nikola Batušić) and appendices with archival data that help us date the performances more precisely (Petar Kolendić, Miroslav Pantić), we propose a somewhat updated chronology. Furthermore, some of the controversial issues are discussed: was Pomet performed inside or outside; were Tirena and Pripovijes kako se Venere božica užeže u ljubav lijepoga Adona u komediju stavljena performed on the same evening in 1551; in
whose house was Tirena with the new prologue staged; can the performance year of Tripče de Utolče and Arkulin be positively determined.

Keywords

Marin Držić; Dubrovnik; renaissance; theatre

Hrčak ID:

65890

URI

https://hrcak.srce.hr/65890

Publication date:

31.12.2010.

Article data in other languages: croatian

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