Skoči na glavni sadržaj

Izvorni znanstveni članak

https://doi.org/10.17685/Peristil.68.8

Ivo Penić and design in the 1950s: From architecture to industrial design

Lovorka Magaš Bilandžić ; Sveučilište u Zagrebu Filozofski fakultet Odsjek za povijest umjetnosti
Patricia Počanić ; Sveučilište u Zagrebu Filozofski fakultet Odsjek za povijest umjetnosti


Puni tekst: hrvatski pdf 1.582 Kb

str. 145-163

preuzimanja: 0

citiraj

Puni tekst: engleski pdf 1.582 Kb

str. 145-163

preuzimanja: 0

citiraj


Sažetak

The article analyzes, contextualizes, and evaluates, on the basis of archival and periodical sources, the previously unexplored work of architect, stage designer, sculptor, and industrial designer Ivo Penić, one of the most prominent members of the Studio for Industrial Design and an author whose dynamic engagement across various areas marked the Croatian art scene in the 1950s. Particular attention is devoted to the theoretical and aesthetic concepts he systematically explored throughout his life in Croatia and, following his departure for Belgium in 1959, his affirmation within an international context.

Ključne riječi

design; stage design; sculpture; Studio for Industrial Design (SIO); synthesis of the arts; Bianka Penić

Hrčak ID:

352180

URI

https://hrcak.srce.hr/352180

Datum izdavanja:

16.10.2026.

Podaci na drugim jezicima: hrvatski

Posjeta: 0 *