Skip to the main content

Original scientific paper

VLADIMIR GORTAN’S MEMORIAL GRAVE: AN ABSTRACT MONUMENT AMIDSTS THE TRIESTE CRISIS

Emil Jurcan ; Institut za povijest umjetnosti - Zagreb


Full text: italian pdf 2.749 Kb

page 186-221

downloads: 0

cite


Abstract

In 1953, Rijeka based architects Zdenko Kolacio and Zdenko Sila designed a
memorial grave to honour Vladimir Gortan. Conceived as an abstract tectonic
composition, the memorial built at the foot of the village of Beram near Pazin was
inaugurated in June 1953 in the presence of Josip Broz Tito at one of the mass
rallies organised by Yugoslav authorities during the Trieste Crisis. It was one of the
first abstract monuments in Yugoslavia and beyond since abstract art faced heavy
scepticism from both the Eastern and the Western Bloc. The paper outlines the
genesis of Gortan’s memorial grave within the context of contemporary aesthetic
debates and links its design to the specific approach to monumental sculpture
developed in Ljubljana by architect Jože Plečnik. The paper argues that abstract art
that emerged from architectural tradition found material expression in this piece of
art in order to serve to the wider cultural and political agenda of appropriation of
central Istria, the then new state territory of Yugoslavia.

Keywords

Vladimir Gortan, Zdenko Kolacio, Zdenko Sila, Monument to the Revolution of the People, Abstract art, Beram, Free Territory of Trieste

Hrčak ID:

353242

URI

https://hrcak.srce.hr/353242

Publication date:

12.11.2026.

Article data in other languages: italian croatian

Visits: 0 *