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Conference paper

THEORETICAL-HISTORIOGRAPHICAL PROBLEMS OF THE CROATIAN VISUAL ARTS AT THE TURNIING BETWEEN THE 19th AND 20th CENTURY

Zlatko Posavac

Fulltext: croatian, pdf (23 MB) pages 45-50 downloads: 92* cite
APA 6th Edition
Posavac, Z. (1988). Teorijsko-historiogrfaska problematizacija hrvatske likovne umjetnosti na razmeđu iymeđu 19. i 20. stoljeća. Peristil, 31-32 (1), 45-50. Retrieved from https://hrcak.srce.hr/151907
MLA 8th Edition
Posavac, Zlatko. "Teorijsko-historiogrfaska problematizacija hrvatske likovne umjetnosti na razmeđu iymeđu 19. i 20. stoljeća." Peristil, vol. 31-32, no. 1, 1988, pp. 45-50. https://hrcak.srce.hr/151907. Accessed 17 May 2021.
Chicago 17th Edition
Posavac, Zlatko. "Teorijsko-historiogrfaska problematizacija hrvatske likovne umjetnosti na razmeđu iymeđu 19. i 20. stoljeća." Peristil 31-32, no. 1 (1988): 45-50. https://hrcak.srce.hr/151907
Harvard
Posavac, Z. (1988). 'Teorijsko-historiogrfaska problematizacija hrvatske likovne umjetnosti na razmeđu iymeđu 19. i 20. stoljeća', Peristil, 31-32(1), pp. 45-50. Available at: https://hrcak.srce.hr/151907 (Accessed 17 May 2021)
Vancouver
Posavac Z. Teorijsko-historiogrfaska problematizacija hrvatske likovne umjetnosti na razmeđu iymeđu 19. i 20. stoljeća. Peristil [Internet]. 1988 [cited 2021 May 17];31-32(1):45-50. Available from: https://hrcak.srce.hr/151907
IEEE
Z. Posavac, "Teorijsko-historiogrfaska problematizacija hrvatske likovne umjetnosti na razmeđu iymeđu 19. i 20. stoljeća", Peristil, vol.31-32, no. 1, pp. 45-50, 1988. [Online]. Available: https://hrcak.srce.hr/151907. [Accessed: 17 May 2021]

Abstracts
In vie» o f s ome recent studies, Babić's state»>ent to the authorities themselves.
that ».. . the 1890 — 1914 period.. . has no common characteristics
in the f ie/d of visual arts .. »» appears to >equive a
correction, first of all concerning the time period between
1890 and 1910. At the same time, pluralisn> of Croatian Modernism
should be identified, thus also of »isua/ art modcrnis>
n, as x»e// as a constitutive principle of the epoch manifesting
a complex historical unity, a specific historical structure
of the moment and relations of vavious»isms«, traditional/
y called Modernism. Constituting a separate entity,
the Croatian visual arts f ron> the turning of the centuries
cannot be si>np/y included either i n the 19th or the 20th
century a Ione. Al l t hi s wo u/ d i n dicate that the turning
period of the centuries does not di»ide the 19th and the
20th century but links the>n together, showing the>n to make,
/ikewise Europe, a uniform macro-epoch. Thevefove, they
should be historically considered as a uni ty, due to their co excitens.

Hrčak ID: 151907

URI
https://hrcak.srce.hr/151907

[croatian]

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