APA 6th Edition Gašparović, Lj. (1983). Juraj Julije Klović u Strossmayerovoj galeriji. Peristil, 26 (1), 111-118. Retrieved from https://hrcak.srce.hr/153871
MLA 8th Edition Gašparović, Ljerka. "Juraj Julije Klović u Strossmayerovoj galeriji." Peristil, vol. 26, no. 1, 1983, pp. 111-118. https://hrcak.srce.hr/153871. Accessed 13 May 2021.
Chicago 17th Edition Gašparović, Ljerka. "Juraj Julije Klović u Strossmayerovoj galeriji." Peristil 26, no. 1 (1983): 111-118. https://hrcak.srce.hr/153871
Harvard Gašparović, Lj. (1983). 'Juraj Julije Klović u Strossmayerovoj galeriji', Peristil, 26(1), pp. 111-118. Available at: https://hrcak.srce.hr/153871 (Accessed 13 May 2021)
Vancouver Gašparović Lj. Juraj Julije Klović u Strossmayerovoj galeriji. Peristil [Internet]. 1983 [cited 2021 May 13];26(1):111-118. Available from: https://hrcak.srce.hr/153871
IEEE Lj. Gašparović, "Juraj Julije Klović u Strossmayerovoj galeriji", Peristil, vol.26, no. 1, pp. 111-118, 1983. [Online]. Available: https://hrcak.srce.hr/153871. [Accessed: 13 May 2021]
Abstracts An in-depth insight into the professional literature and archive material leads the author to the discovery of data on a series of works which have been attributed to J. J. Klović, but which have since then disappeared from this country (graphics: »Woman in a Cloak« and »Peeping Tom«), as wel as works which are in Zagreb, associated with this master's name (the Missale of Bishop Simun Erdody, »The Abduction of Ganymede«, »Judith and Holofernes«, »Self Portrait«, quite similar to the self portrait now in the Kunsthistorisches Museurm in Vienna. These works are part of the collection of the Strossmayer Gallery in Zagreb. There is a note on the need for in-depth analysis of the problem posed by the painting »The Entombment« which is identical in invention to Klović's version of the same theme in a private collection in Milan.