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Original scientific paper

Acid Portrays Coated With Honey: The Process of Recognition in Jean-Philippe Toussaint's Writings

Cristophe Meurée ; Archives et Musée de la Littérature, Bruxelles

Fulltext: croatian, pdf (72 KB) pages 125-131 downloads: 86* cite
APA 6th Edition
Meurée, C. (2016). Jetki portreti s preljevom od meda. Proces prepoznavanja u djelu Jeana-Philippea Toussainta. Književna smotra, 48 (180(2)), 125-131. Retrieved from https://hrcak.srce.hr/170360
MLA 8th Edition
Meurée, Cristophe. "Jetki portreti s preljevom od meda. Proces prepoznavanja u djelu Jeana-Philippea Toussainta." Književna smotra, vol. 48, no. 180(2), 2016, pp. 125-131. https://hrcak.srce.hr/170360. Accessed 29 Feb. 2020.
Chicago 17th Edition
Meurée, Cristophe. "Jetki portreti s preljevom od meda. Proces prepoznavanja u djelu Jeana-Philippea Toussainta." Književna smotra 48, no. 180(2) (2016): 125-131. https://hrcak.srce.hr/170360
Harvard
Meurée, C. (2016). 'Jetki portreti s preljevom od meda. Proces prepoznavanja u djelu Jeana-Philippea Toussainta', Književna smotra, 48(180(2)), pp. 125-131. Available at: https://hrcak.srce.hr/170360 (Accessed 29 February 2020)
Vancouver
Meurée C. Jetki portreti s preljevom od meda. Proces prepoznavanja u djelu Jeana-Philippea Toussainta. Književna smotra [Internet]. 2016 [cited 2020 February 29];48(180(2)):125-131. Available from: https://hrcak.srce.hr/170360
IEEE
C. Meurée, "Jetki portreti s preljevom od meda. Proces prepoznavanja u djelu Jeana-Philippea Toussainta", Književna smotra, vol.48, no. 180(2), pp. 125-131, 2016. [Online]. Available: https://hrcak.srce.hr/170360. [Accessed: 29 February 2020]

Abstracts
In Jean-Philippe Toussaint’s novels, description is never objective – or, more accurately, it presents itself at the outset as subjective. The formal plasticity and the writer’s sense of humor play a large part in the phenomenon: the narration moves forward by shifting from an uncertainty to another. The phenomenon also affects the characters’ identity as well as their relationships. If we take a closer look at how Toussaint uses the art of portraying his characters, a truth seems to emerge, the same truth to which the „Cycle of Marie” (Making Love, Running Away, The Truth about Marie, Naked) points out: the dynamic truth where identification, mutual acknowledgment and gratitude are the key notions.

Keywords
Toussaint; description; identification; mutual acknowledgment; gratitude

Hrčak ID: 170360

URI
https://hrcak.srce.hr/170360

[croatian]

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