APA 6th Edition Đukić, M. (2016). Raznovrsne interpretacije u recepciji Mauricea Maeterlincka u Srbiji i Crnoj Gori. Književna smotra, 48 (180(2)), 145-152. Preuzeto s https://hrcak.srce.hr/170362
MLA 8th Edition Đukić, Marjana. "Raznovrsne interpretacije u recepciji Mauricea Maeterlincka u Srbiji i Crnoj Gori." Književna smotra, vol. 48, br. 180(2), 2016, str. 145-152. https://hrcak.srce.hr/170362. Citirano 21.04.2021.
Chicago 17th Edition Đukić, Marjana. "Raznovrsne interpretacije u recepciji Mauricea Maeterlincka u Srbiji i Crnoj Gori." Književna smotra 48, br. 180(2) (2016): 145-152. https://hrcak.srce.hr/170362
Harvard Đukić, M. (2016). 'Raznovrsne interpretacije u recepciji Mauricea Maeterlincka u Srbiji i Crnoj Gori', Književna smotra, 48(180(2)), str. 145-152. Preuzeto s: https://hrcak.srce.hr/170362 (Datum pristupa: 21.04.2021.)
Vancouver Đukić M. Raznovrsne interpretacije u recepciji Mauricea Maeterlincka u Srbiji i Crnoj Gori. Književna smotra [Internet]. 2016 [pristupljeno 21.04.2021.];48(180(2)):145-152. Dostupno na: https://hrcak.srce.hr/170362
IEEE M. Đukić, "Raznovrsne interpretacije u recepciji Mauricea Maeterlincka u Srbiji i Crnoj Gori", Književna smotra, vol.48, br. 180(2), str. 145-152, 2016. [Online]. Dostupno na: https://hrcak.srce.hr/170362. [Citirano: 21.04.2021.]
Sažetak The paper’s preliminary aim is to undertake a detailed research of Maeterlinck’s reception in Serbia and Montenegro, especially of the theatrical performances and criticism. The discovered documents reveal a prominent presence of the Belgian Nobel Prize winner in the theatre and publishing, which leads to the primary goal of the research, i.e. the demonstration of diverse readings, analyses and interpretations of Maurice Maeterlinck. The theatrical productions point to the possibilities of interpretation that transcend the author’s age and the Symbolist theatre. Ranging from fabulous dream to committed literature, there is a broad spectrum of interpretive possibilities and powerful meanings. Diverse interpretations and reactualisation of Maeterlinck’s works suggest the possibilities of future readings and a living, uninterrupted reception from the late 19th century to the present day.