APA 6th Edition Ramos de Azevedo, V.L. (2016). Tradicija i raskid kod suvremenih brazilskih autora. Književna smotra, 48 (181(3)), 19-26. Preuzeto s https://hrcak.srce.hr/170994
MLA 8th Edition Ramos de Azevedo, Vera Lúcia. "Tradicija i raskid kod suvremenih brazilskih autora." Književna smotra, vol. 48, br. 181(3), 2016, str. 19-26. https://hrcak.srce.hr/170994. Citirano 19.01.2021.
Chicago 17th Edition Ramos de Azevedo, Vera Lúcia. "Tradicija i raskid kod suvremenih brazilskih autora." Književna smotra 48, br. 181(3) (2016): 19-26. https://hrcak.srce.hr/170994
Harvard Ramos de Azevedo, V.L. (2016). 'Tradicija i raskid kod suvremenih brazilskih autora', Književna smotra, 48(181(3)), str. 19-26. Preuzeto s: https://hrcak.srce.hr/170994 (Datum pristupa: 19.01.2021.)
Vancouver Ramos de Azevedo VL. Tradicija i raskid kod suvremenih brazilskih autora. Književna smotra [Internet]. 2016 [pristupljeno 19.01.2021.];48(181(3)):19-26. Dostupno na: https://hrcak.srce.hr/170994
IEEE V.L. Ramos de Azevedo, "Tradicija i raskid kod suvremenih brazilskih autora", Književna smotra, vol.48, br. 181(3), str. 19-26, 2016. [Online]. Dostupno na: https://hrcak.srce.hr/170994. [Citirano: 19.01.2021.]
Sažetak This article analyses the relations between tradition and rupture in three authors: Raduan Nassar, Lya Luft and Moacyr Scliar. Even as their fiction is bent on tradition – Lebanese, German and Jewish culture – one seeks to chart the immigrant's disruptive movement towards his/her reinscription in social space, investigating the particular way the process of rooting (or uprooting) takes place in each author's work.