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Slobodan Prosperov Novak

Puni tekst: hrvatski, pdf (338 KB) str. 191-198 preuzimanja: 497* citiraj
APA 6th Edition
Prosperov Novak, S. (2007). ZADARSKI FALSTAFF IZ 1575.. Croatica et Slavica Iadertina, 3 (3.), 191-198. Preuzeto s
MLA 8th Edition
Prosperov Novak, Slobodan. "ZADARSKI FALSTAFF IZ 1575.." Croatica et Slavica Iadertina, vol. 3, br. 3., 2007, str. 191-198. Citirano 22.10.2019.
Chicago 17th Edition
Prosperov Novak, Slobodan. "ZADARSKI FALSTAFF IZ 1575.." Croatica et Slavica Iadertina 3, br. 3. (2007): 191-198.
Prosperov Novak, S. (2007). 'ZADARSKI FALSTAFF IZ 1575.', Croatica et Slavica Iadertina, 3(3.), str. 191-198. Preuzeto s: (Datum pristupa: 22.10.2019.)
Prosperov Novak S. ZADARSKI FALSTAFF IZ 1575.. Croatica et Slavica Iadertina [Internet]. 2007 [pristupljeno 22.10.2019.];3(3.):191-198. Dostupno na:
S. Prosperov Novak, "ZADARSKI FALSTAFF IZ 1575.", Croatica et Slavica Iadertina, vol.3, br. 3., str. 191-198, 2007. [Online]. Dostupno na: [Citirano: 22.10.2019.]

The english dramatist Anthony Munday, some four years older than Shakespeare, published his text Fedele and Fortunato. Two Italian Gentlemen in 1585, a few years before Shakespeare wrote his earliest plays. Thus Shakespeare could have derived motifs from the Munday drama in a lot of his texts, specially in The Two Gentlemen from Verona, Cymbeline and in Much Ado About Nothing but he was particularly fascinated with the Munday character of Crackstone. Shakespeare based on this typical miles gloriosus his famous Falstaff who appeared first in Henry IV, Henry V and than in the comedy Merry Wives of Windsor staged for Queen Elisabeth. The fact is that Munday's Crackston, alias Falstaff, is a character that was completely imitated from the Italian play Il Fedele written by Luigi Pasqualigi for the carnival of Zadar in 1575 and published in Venice a year after. So the character of Falstaff for the first time appeared in Zadar with the name of Frangipietra, than was transferred in Munday's Crackston and finally became Shakespeare's Falstaff. The author concludes the paper maintaining that the Italian composer Giuseppe Verdi was right when he considered Falstaff to be a Mediterranean type.

Ključne riječi
Anthony Munday; Alvise Pasqualigo; drama; Falstaff; William Shakespeare; Zadar

Hrčak ID: 19236



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