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Izvorni znanstveni članak
https://doi.org/10.21464/fi39408
Musical Transcription and Remix. Applying Stephen Davies’ Aesthetics of Music to Contemporary Electronic Music
Dušan Milenković
; Univerzitet u Nišu, Filozofski fakultet, Ćirila i Metodija 2, RS–18000 Niš
| Puni tekst: engleski, pdf (279 KB) | str. 853-892 | citiraj | |
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APA 6th Edition Milenković, D. (2019). Musical Transcription and Remix. Applying Stephen Davies’ Aesthetics of Music to Contemporary Electronic Music. Filozofska istraživanja, 39 (4), 853-892. https://doi.org/10.21464/fi39408 MLA 8th Edition Milenković, Dušan. "Musical Transcription and Remix. Applying Stephen Davies’ Aesthetics of Music to Contemporary Electronic Music." Filozofska istraživanja, vol. 39, br. 4, 2019, str. 853-892. https://doi.org/10.21464/fi39408. Citirano 08.08.2020. Chicago 17th Edition Milenković, Dušan. "Musical Transcription and Remix. Applying Stephen Davies’ Aesthetics of Music to Contemporary Electronic Music." Filozofska istraživanja 39, br. 4 (2019): 853-892. https://doi.org/10.21464/fi39408 Harvard Milenković, D. (2019). 'Musical Transcription and Remix. Applying Stephen Davies’ Aesthetics of Music to Contemporary Electronic Music', Filozofska istraživanja, 39(4), str. 853-892. https://doi.org/10.21464/fi39408 Vancouver Milenković D. Musical Transcription and Remix. Applying Stephen Davies’ Aesthetics of Music to Contemporary Electronic Music. Filozofska istraživanja [Internet]. 2019 [pristupljeno 08.08.2020.];39(4):853-892. https://doi.org/10.21464/fi39408 IEEE D. Milenković, "Musical Transcription and Remix. Applying Stephen Davies’ Aesthetics of Music to Contemporary Electronic Music", Filozofska istraživanja, vol.39, br. 4, str. 853-892, 2019. [Online]. https://doi.org/10.21464/fi39408 |
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| Puni tekst: hrvatski, pdf (279 KB) | str. 853-892 | citiraj | |
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APA 6th Edition Milenković, D. (2019). Glazbena transkripcija i remiks. Primjena estetike glazbe Stephena Daviesa na promišljanje suvremene elektroničke glazbe. Filozofska istraživanja, 39 (4), 853-892. https://doi.org/10.21464/fi39408 MLA 8th Edition Milenković, Dušan. "Glazbena transkripcija i remiks. Primjena estetike glazbe Stephena Daviesa na promišljanje suvremene elektroničke glazbe." Filozofska istraživanja, vol. 39, br. 4, 2019, str. 853-892. https://doi.org/10.21464/fi39408. Citirano 08.08.2020. Chicago 17th Edition Milenković, Dušan. "Glazbena transkripcija i remiks. Primjena estetike glazbe Stephena Daviesa na promišljanje suvremene elektroničke glazbe." Filozofska istraživanja 39, br. 4 (2019): 853-892. https://doi.org/10.21464/fi39408 Harvard Milenković, D. (2019). 'Glazbena transkripcija i remiks. Primjena estetike glazbe Stephena Daviesa na promišljanje suvremene elektroničke glazbe', Filozofska istraživanja, 39(4), str. 853-892. https://doi.org/10.21464/fi39408 Vancouver Milenković D. Glazbena transkripcija i remiks. Primjena estetike glazbe Stephena Daviesa na promišljanje suvremene elektroničke glazbe. Filozofska istraživanja [Internet]. 2019 [pristupljeno 08.08.2020.];39(4):853-892. https://doi.org/10.21464/fi39408 IEEE D. Milenković, "Glazbena transkripcija i remiks. Primjena estetike glazbe Stephena Daviesa na promišljanje suvremene elektroničke glazbe", Filozofska istraživanja, vol.39, br. 4, str. 853-892, 2019. [Online]. https://doi.org/10.21464/fi39408 |
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Sažetak
In this paper, I examine the views of contemporary aesthetician of music Stephen Davies about musical transcriptions as special forms of classical music and try to apply his theoretical views to remixing as a musical practice that is primarily related to contemporary electronic music. Using the theoretical approaches of Davies’ aesthetics of music, I point out the similarities between the creative attitudes of a musician in transcribing and remixing, similarities that can be found in the way these musical forms relate to the original composition on which transcriptions or remixes are based. Comparisons between transcription and remix are further investigated by considering the various roles that these musical practices fulfil in various cultural contexts.
Ključne riječi
transcription; remix; classical music; electronic music; aesthetics of music; Stephen Davies
Hrčak ID: 240430
URI
https://hrcak.srce.hr/240430
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