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Filozofska istraživanja, Vol. 39 No. 4, 2019.

Izvorni znanstveni članak
https://doi.org/10.21464/fi39408

Musical Transcription and Remix. Applying Stephen Davies’ Aesthetics of Music to Contemporary Electronic Music

Dušan Milenković   ORCID icon orcid.org/0000-0003-1860-5502 ; Univerzitet u Nišu, Filozofski fakultet, Ćirila i Metodija 2, RS–18000 Niš

Puni tekst: engleski, pdf (279 KB) str. 853-892 preuzimanja: 129* citiraj
APA 6th Edition
Milenković, D. (2019). Musical Transcription and Remix. Applying Stephen Davies’ Aesthetics of Music to Contemporary Electronic Music. Filozofska istraživanja, 39 (4), 853-892. https://doi.org/10.21464/fi39408
MLA 8th Edition
Milenković, Dušan. "Musical Transcription and Remix. Applying Stephen Davies’ Aesthetics of Music to Contemporary Electronic Music." Filozofska istraživanja, vol. 39, br. 4, 2019, str. 853-892. https://doi.org/10.21464/fi39408. Citirano 06.05.2021.
Chicago 17th Edition
Milenković, Dušan. "Musical Transcription and Remix. Applying Stephen Davies’ Aesthetics of Music to Contemporary Electronic Music." Filozofska istraživanja 39, br. 4 (2019): 853-892. https://doi.org/10.21464/fi39408
Harvard
Milenković, D. (2019). 'Musical Transcription and Remix. Applying Stephen Davies’ Aesthetics of Music to Contemporary Electronic Music', Filozofska istraživanja, 39(4), str. 853-892. https://doi.org/10.21464/fi39408
Vancouver
Milenković D. Musical Transcription and Remix. Applying Stephen Davies’ Aesthetics of Music to Contemporary Electronic Music. Filozofska istraživanja [Internet]. 2019 [pristupljeno 06.05.2021.];39(4):853-892. https://doi.org/10.21464/fi39408
IEEE
D. Milenković, "Musical Transcription and Remix. Applying Stephen Davies’ Aesthetics of Music to Contemporary Electronic Music", Filozofska istraživanja, vol.39, br. 4, str. 853-892, 2019. [Online]. https://doi.org/10.21464/fi39408
Puni tekst: hrvatski, pdf (279 KB) str. 853-892 preuzimanja: 77* citiraj
APA 6th Edition
Milenković, D. (2019). Glazbena transkripcija i remiks. Primjena estetike glazbe Stephena Daviesa na promišljanje suvremene elektroničke glazbe. Filozofska istraživanja, 39 (4), 853-892. https://doi.org/10.21464/fi39408
MLA 8th Edition
Milenković, Dušan. "Glazbena transkripcija i remiks. Primjena estetike glazbe Stephena Daviesa na promišljanje suvremene elektroničke glazbe." Filozofska istraživanja, vol. 39, br. 4, 2019, str. 853-892. https://doi.org/10.21464/fi39408. Citirano 06.05.2021.
Chicago 17th Edition
Milenković, Dušan. "Glazbena transkripcija i remiks. Primjena estetike glazbe Stephena Daviesa na promišljanje suvremene elektroničke glazbe." Filozofska istraživanja 39, br. 4 (2019): 853-892. https://doi.org/10.21464/fi39408
Harvard
Milenković, D. (2019). 'Glazbena transkripcija i remiks. Primjena estetike glazbe Stephena Daviesa na promišljanje suvremene elektroničke glazbe', Filozofska istraživanja, 39(4), str. 853-892. https://doi.org/10.21464/fi39408
Vancouver
Milenković D. Glazbena transkripcija i remiks. Primjena estetike glazbe Stephena Daviesa na promišljanje suvremene elektroničke glazbe. Filozofska istraživanja [Internet]. 2019 [pristupljeno 06.05.2021.];39(4):853-892. https://doi.org/10.21464/fi39408
IEEE
D. Milenković, "Glazbena transkripcija i remiks. Primjena estetike glazbe Stephena Daviesa na promišljanje suvremene elektroničke glazbe", Filozofska istraživanja, vol.39, br. 4, str. 853-892, 2019. [Online]. https://doi.org/10.21464/fi39408

Sažetak
In this paper, I examine the views of contemporary aesthetician of music Stephen Davies about musical transcriptions as special forms of classical music and try to apply his theoretical views to remixing as a musical practice that is primarily related to contemporary electronic music. Using the theoretical approaches of Davies’ aesthetics of music, I point out the similarities between the creative attitudes of a musician in transcribing and remixing, similarities that can be found in the way these musical forms relate to the original composition on which transcriptions or remixes are based. Comparisons between transcription and remix are further investigated by considering the various roles that these musical practices fulfil in various cultural contexts.

Ključne riječi
transcription; remix; classical music; electronic music; aesthetics of music; Stephen Davies

Hrčak ID: 240430

URI
https://hrcak.srce.hr/240430

[hrvatski]

Posjeta: 360 *