APA 6th Edition Obad, V. (2020). Abstract Film – Discursive and Sensory Characteristics. Filozofska istraživanja, 40 (3), 568-568. https://doi.org/10.21464/fi40306
MLA 8th Edition Obad, Vanja. "Abstract Film – Discursive and Sensory Characteristics." Filozofska istraživanja, vol. 40, br. 3, 2020, str. 568-568. https://doi.org/10.21464/fi40306. Citirano 24.01.2021.
Chicago 17th Edition Obad, Vanja. "Abstract Film – Discursive and Sensory Characteristics." Filozofska istraživanja 40, br. 3 (2020): 568-568. https://doi.org/10.21464/fi40306
Harvard Obad, V. (2020). 'Abstract Film – Discursive and Sensory Characteristics', Filozofska istraživanja, 40(3), str. 568-568. https://doi.org/10.21464/fi40306
Vancouver Obad V. Abstract Film – Discursive and Sensory Characteristics. Filozofska istraživanja [Internet]. 2020 [pristupljeno 24.01.2021.];40(3):568-568. https://doi.org/10.21464/fi40306
IEEE V. Obad, "Abstract Film – Discursive and Sensory Characteristics", Filozofska istraživanja, vol.40, br. 3, str. 568-568, 2020. [Online]. https://doi.org/10.21464/fi40306
APA 6th Edition Obad, V. (2020). Apstraktni film – izlagačko-doživljajna obilježja. Filozofska istraživanja, 40 (3), 543-568. https://doi.org/10.21464/fi40306
MLA 8th Edition Obad, Vanja. "Apstraktni film – izlagačko-doživljajna obilježja." Filozofska istraživanja, vol. 40, br. 3, 2020, str. 543-568. https://doi.org/10.21464/fi40306. Citirano 24.01.2021.
Chicago 17th Edition Obad, Vanja. "Apstraktni film – izlagačko-doživljajna obilježja." Filozofska istraživanja 40, br. 3 (2020): 543-568. https://doi.org/10.21464/fi40306
Harvard Obad, V. (2020). 'Apstraktni film – izlagačko-doživljajna obilježja', Filozofska istraživanja, 40(3), str. 543-568. https://doi.org/10.21464/fi40306
Vancouver Obad V. Apstraktni film – izlagačko-doživljajna obilježja. Filozofska istraživanja [Internet]. 2020 [pristupljeno 24.01.2021.];40(3):543-568. https://doi.org/10.21464/fi40306
IEEE V. Obad, "Apstraktni film – izlagačko-doživljajna obilježja", Filozofska istraživanja, vol.40, br. 3, str. 543-568, 2020. [Online]. https://doi.org/10.21464/fi40306
Sažetak The paper elaborates specific perceptive purposes and structural procedures generated by the various experimental abstract films and shows the ways how abstract film engages spectator’s attention. By “liberating” our visual system from representational (daily visual) experience, the abstract film encourages us to cultivate different sensory and sensual sensibility, explore new associations and alternative paths for moods and emotions. Various streams of abstract film will be analysed, relying primarily on classical abstract films (Whitney brothers, McLaren, Richter, and Eggeling, etc.).