APA 6th Edition Tomić, J. (2020). Čitati Bergmanov arhiv. Filozofska istraživanja, 40 (3), 569-584. https://doi.org/10.21464/fi40307
MLA 8th Edition Tomić, Janica. "Čitati Bergmanov arhiv." Filozofska istraživanja, vol. 40, br. 3, 2020, str. 569-584. https://doi.org/10.21464/fi40307. Citirano 14.04.2021.
Chicago 17th Edition Tomić, Janica. "Čitati Bergmanov arhiv." Filozofska istraživanja 40, br. 3 (2020): 569-584. https://doi.org/10.21464/fi40307
Harvard Tomić, J. (2020). 'Čitati Bergmanov arhiv', Filozofska istraživanja, 40(3), str. 569-584. https://doi.org/10.21464/fi40307
Vancouver Tomić J. Čitati Bergmanov arhiv. Filozofska istraživanja [Internet]. 2020 [pristupljeno 14.04.2021.];40(3):569-584. https://doi.org/10.21464/fi40307
IEEE J. Tomić, "Čitati Bergmanov arhiv", Filozofska istraživanja, vol.40, br. 3, str. 569-584, 2020. [Online]. https://doi.org/10.21464/fi40307
Sažetak Publically available since 2018, the Ingmar Bergman Archives gave rise to a wide range of readings and re-evaluations of primarily the written part of his oeuvre. While considering the relation between Bergman’s manuscripts and films, the paper points out the significance of his workbooks (1938 – 2006) and other textual fragments for understanding the Archives as a work of art. The concluding analysis of the film Winter Light (Nattvardsgästerna) illustrates how the intertwined parts of the Archives contribute to understanding its appeal throughout the history of readings. By highlighting the previously neglected affective layers of the film, the paper also builds on hypotheses about the need to expand on existing philosophical and theoretical approaches to Bergman’s work.