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THE TIME OF THE DISAPPEARING MEMORY, CINEMA AND PHOTOGRAPHY IN DAŠA DRNDIĆ'S NOVEL LEICA FORMAT

Aleksandar Mijatović   ORCID icon orcid.org/0000-0002-5575-0920 ; Filozofski fakultet u Rijeci, Rijeka, Hrvatska

Puni tekst: hrvatski, pdf (166 KB) str. 25-44 preuzimanja: 1.068* citiraj
APA 6th Edition
Mijatović, A. (2010). Vrijeme nestajanja Sjećanje, kino i fotografija u romanu Leica format Daše Drndić. FLUMINENSIA, 22 (1), 25-44. Preuzeto s https://hrcak.srce.hr/59262
MLA 8th Edition
Mijatović, Aleksandar. "Vrijeme nestajanja Sjećanje, kino i fotografija u romanu Leica format Daše Drndić." FLUMINENSIA, vol. 22, br. 1, 2010, str. 25-44. https://hrcak.srce.hr/59262. Citirano 08.07.2020.
Chicago 17th Edition
Mijatović, Aleksandar. "Vrijeme nestajanja Sjećanje, kino i fotografija u romanu Leica format Daše Drndić." FLUMINENSIA 22, br. 1 (2010): 25-44. https://hrcak.srce.hr/59262
Harvard
Mijatović, A. (2010). 'Vrijeme nestajanja Sjećanje, kino i fotografija u romanu Leica format Daše Drndić', FLUMINENSIA, 22(1), str. 25-44. Preuzeto s: https://hrcak.srce.hr/59262 (Datum pristupa: 08.07.2020.)
Vancouver
Mijatović A. Vrijeme nestajanja Sjećanje, kino i fotografija u romanu Leica format Daše Drndić. FLUMINENSIA [Internet]. 2010 [pristupljeno 08.07.2020.];22(1):25-44. Dostupno na: https://hrcak.srce.hr/59262
IEEE
A. Mijatović, "Vrijeme nestajanja Sjećanje, kino i fotografija u romanu Leica format Daše Drndić", FLUMINENSIA, vol.22, br. 1, str. 25-44, 2010. [Online]. Dostupno na: https://hrcak.srce.hr/59262. [Citirano: 08.07.2020.]

Sažetak
Forgetfulness as a back side of the memory and disappearing as a medium of the tradition are central topics of Daša Drndić's novel Leica format (2003). In the narrative universe of the novel that contradictory and relentless relationship between forgetfulness and memory, tradition and its destruction is the effect of the juxtaposing notions of fugue/joint and leica format. Paper discusses that basic juxtaposition and describes how it engenders many other counterpoints in Leica format such as relationships between story-telling and memory, duration and instant, movement and fixity, past and present, stranger and neighbor, archive and testimony, live and death. Framework for discussion is Henri Bergson’s criticism of the cinema and Walter Benjamin’s conceptions of photography, technical reproducibility and history.

Ključne riječi
Daša Drndić; Leica format; Walter Benjamin; Henri Bergson; fugue/joint; memory; disappearance; redemption; history; instant; photography; cinema; testimony; cairos/chronos

Hrčak ID: 59262

URI
https://hrcak.srce.hr/59262

[hrvatski]

Posjeta: 1.938 *