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https://doi.org/10.31664/zu.2021.109.10

From the Pencil of Nature to the Natural History of Destruction

Leonida Kovač ; Akademija likovnih umjetnosti, Sveučilišta u Zagrebu, Zagreb, Hrvatska


Puni tekst: hrvatski pdf 149 Kb

str. 164-177

preuzimanja: 363

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Sažetak

The article discusses The Pencil of Nature by William Henry Fox Talbot (1844), the Bilderatlas Mnemosyne (1927–1929) by Aby Warburg, and the literary opus of W. G. Sebald (1944–2001) in the context of the term “memory project.” In doing so, focusing on the relationship between words, images, and memory, Fox Talbot’s and Warburg’s works have been identified as “citations without citation marks” inscribed in Sebald’s specific narrative procedure.

Ključne riječi

reproduction: reiteration; writing with images; dialectical image; muteness of trauma; transtemporality; colonialism; Holocaust; archive

Hrčak ID:

274308

URI

https://hrcak.srce.hr/274308

Datum izdavanja:

1.12.2021.

Podaci na drugim jezicima: hrvatski

Posjeta: 1.392 *