Skoči na glavni sadržaj

Izvorni znanstveni članak

https://doi.org/10.15378/1848-9540.2025.48.03

On the Zadar Performance Scene, the City, and (Auto)Ethnographic Insights

Juraj Šantorić orcid id orcid.org/0009-0004-7786-8737 ; Nezavisni istraživač


Puni tekst: hrvatski pdf 968 Kb

verzije

str. 124-141

preuzimanja: 231

citiraj


Sažetak

The paper maps acts of resistance within the Zadar performance scene and, through their analysis, reads the atmosphere of the city’s everyday life. The research was conceived as a complement to existing studies and documentation of the history of performance art in Croatia, tracing both the synchronic and diachronic development of Zadar’s performance scene from the post-war 1990s to the present. Finally, the paper offers critical interpretations of the genealogy of Cynic performance art, the paradox of non-integrative benevolence in reflecting on the common good, and the issue of social engagement, which emerges as an extension of the neoliberal politics of sentimentality.

Ključne riječi

performance art, Zadar scene, engagement, politics of sentimentality

Hrčak ID:

342176

URI

https://hrcak.srce.hr/342176

Datum izdavanja:

23.12.2025.

Podaci na drugim jezicima: hrvatski

Posjeta: 612 *