Pregledni rad
https://doi.org/https://doi.org/10.47960/2303-7431.21.35.2026.220
“AND EVEN DEATH WILL BE SOMETHING ENTIRELY HUMAN?”: THE EXPERIENCE OF DEATH AND THE TEXTUALITY OF VISUAL ART IN THE BLOODY COLLAPSE OF THE STATE
Marija Vego
; Sveučilište u Mostaru, Filozofski fakultet
*
* Dopisni autor.
Sažetak
Life tends towards death. Death is the aim, not the end. It is psychologically necessary. Jung works on details, not believing in tradition, culture. The death of the state, analyzed in Jungian terms, comes from a careful observation of society and nationalism. The nation fragments consciousness, strives for a structure of meaninglessness, destabilizes, forms psychosis. Psychoanalytically, it is observed in a state of existence or destruction. Yugoslavia defines the Freudian concept of the death instinct: the drive towards self-destruction. Destructive and violent tendencies suggest permanent conflict. Permanent conflict leads to death. Thus, Yugoslavia dies alongside European communism. The nation cannot be focused on the self, its own shadow. In Jungian terms, it therefore fails to acquire immunity to moral and mental infection and insinuation. Ideology degrades the individual, a stable entity from a Jungian perspective. Legal regulation of art in Yugoslavia results in the destruction of cinematic art. It is a product of ideology. Rebellion manifests itself through the Black Wave and the Prague School. They adopt a critical attitude toward society and politics, express freedom, formal experimentation, and an engagement with dark and unconventional themes. Death is a recurring motif, a focus.
Ključne riječi
death; film; Black Wave; individual; mass psychosis; nation; communism
Hrčak ID:
352650
URI
Datum izdavanja:
30.10.2026.
Posjeta: 0 *