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Preliminary communication

The baggage that we carry

Sandra Križić Roban ; Institut za povijest umjetnosti


Full text: croatian docx 40 Kb

page 44-59

downloads: 315

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Full text: english docx 58 Kb

page 44-59

downloads: 317

cite


Abstract

Based on two series of photographs taken by two photographers – Marc Riboud and Henri Cartier-Bresson, the focus is placed on similarities and differences in their photography work in the context of the exhibition, the aesthetics and documentary approach of authors close to The Family of Man.
Their activity in our milieu was defined by two one-time visits to this region, that Riboud payed in 1953 and Cartier-Bresson in 1965. The paper attempts to relate their work close to representation of contemporary identities dependent on geography and colonialism of the Western world.

Keywords

Henri Cartier-Bresson; Marc Riboud; Irit Rogoff; The Family of Man; Magnum; colonial aesthetics

Hrčak ID:

180331

URI

https://hrcak.srce.hr/180331

Publication date:

1.7.2016.

Article data in other languages: croatian

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