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Semantics of Space in Ranko Marinković’s Glorija

Ivan Trojan orcid id orcid.org/0000-0002-5898-5194 ; Sveučilište J. J. Strossmayera u Osijeku, Filozofski fakultet, Osijek, Hrvatska
Tatjana Ileš ; Sveučilište J. J. Strossmayera u Osijeku, Filozofski fakultet


Puni tekst: hrvatski pdf 390 Kb

str. 193-204

preuzimanja: 3.937

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Puni tekst: engleski pdf 273 Kb

str. 204-204

preuzimanja: 416

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Sažetak

The paper examines the function and contrastiveness of space in Glorija by Ranko Marinković as possible sources of dramatic conflict. Three dimensions of spatial relations are seen as relevant: the ‘left-right’ contrast, the ‘upstage-downstage’ contrast and the ‘above-below’ contrast both on stage and off, as well as relations between
different scene settings. As Glorija is a miracle play in terms of genre, characteristics of medieval church presentation are present. The use of characters as well as spatial contrast in the creation of dramatic conflict sends a religious-didactic and moral message.
As this a crucial characteristic of this medieval genre, Glorija can justly be said to follow in the footsteps of dramatic conventions established in the Middle Ages.

Ključne riječi

function of space; Glorija; miracle play; semantics of space; medieval church presentations

Hrčak ID:

75501

URI

https://hrcak.srce.hr/75501

Datum izdavanja:

30.11.2011.

Podaci na drugim jezicima: hrvatski

Posjeta: 5.887 *