hrcak mascot   Srce   HID

Prethodno priopćenje
https://doi.org/10.21464/fi40303

Film Spectacle and Cinematic Culture: Film Horror in the Age of World-Image

Dario Vuger ; Ulica ruža 54, HR–10310 Ivanić Grad

Puni tekst: engleski, pdf (341 KB) str. 498-498 preuzimanja: 16* citiraj
APA 6th Edition
Vuger, D. (2020). Film Spectacle and Cinematic Culture: Film Horror in the Age of World-Image. Filozofska istraživanja, 40 (3), 498-498. https://doi.org/10.21464/fi40303
MLA 8th Edition
Vuger, Dario. "Film Spectacle and Cinematic Culture: Film Horror in the Age of World-Image." Filozofska istraživanja, vol. 40, br. 3, 2020, str. 498-498. https://doi.org/10.21464/fi40303. Citirano 25.11.2020.
Chicago 17th Edition
Vuger, Dario. "Film Spectacle and Cinematic Culture: Film Horror in the Age of World-Image." Filozofska istraživanja 40, br. 3 (2020): 498-498. https://doi.org/10.21464/fi40303
Harvard
Vuger, D. (2020). 'Film Spectacle and Cinematic Culture: Film Horror in the Age of World-Image', Filozofska istraživanja, 40(3), str. 498-498. https://doi.org/10.21464/fi40303
Vancouver
Vuger D. Film Spectacle and Cinematic Culture: Film Horror in the Age of World-Image. Filozofska istraživanja [Internet]. 2020 [pristupljeno 25.11.2020.];40(3):498-498. https://doi.org/10.21464/fi40303
IEEE
D. Vuger, "Film Spectacle and Cinematic Culture: Film Horror in the Age of World-Image", Filozofska istraživanja, vol.40, br. 3, str. 498-498, 2020. [Online]. https://doi.org/10.21464/fi40303
Puni tekst: hrvatski, pdf (341 KB) str. 477-498 preuzimanja: 29* citiraj
APA 6th Edition
Vuger, D. (2020). Filmski spektakl i kinematička kultura: filmski horor u doba slike svijeta. Filozofska istraživanja, 40 (3), 477-498. https://doi.org/10.21464/fi40303
MLA 8th Edition
Vuger, Dario. "Filmski spektakl i kinematička kultura: filmski horor u doba slike svijeta." Filozofska istraživanja, vol. 40, br. 3, 2020, str. 477-498. https://doi.org/10.21464/fi40303. Citirano 25.11.2020.
Chicago 17th Edition
Vuger, Dario. "Filmski spektakl i kinematička kultura: filmski horor u doba slike svijeta." Filozofska istraživanja 40, br. 3 (2020): 477-498. https://doi.org/10.21464/fi40303
Harvard
Vuger, D. (2020). 'Filmski spektakl i kinematička kultura: filmski horor u doba slike svijeta', Filozofska istraživanja, 40(3), str. 477-498. https://doi.org/10.21464/fi40303
Vancouver
Vuger D. Filmski spektakl i kinematička kultura: filmski horor u doba slike svijeta. Filozofska istraživanja [Internet]. 2020 [pristupljeno 25.11.2020.];40(3):477-498. https://doi.org/10.21464/fi40303
IEEE
D. Vuger, "Filmski spektakl i kinematička kultura: filmski horor u doba slike svijeta", Filozofska istraživanja, vol.40, br. 3, str. 477-498, 2020. [Online]. https://doi.org/10.21464/fi40303

Sažetak
In this paper, the author establishes and defends the thesis that the 1980s horror film production acts as a paradigm of the spectacle, especially in terms of the system of reduction of immediate life to image related mediations and phenomena. Thus, three disparate elements are now connected in a conceptual framework by which author supposes one must judge the media theory and media at large at the end of the twentieth and the beginning of the twenty-first century. The three elements are the Heideggerian notion of the age of the world-picture, the Debordian notion of the spectacle, and the Deleuzian experiment of the philosophy of film that, through Beller, establishes itself as a film philosophy, to be a possible answer to the contemporary state of a society in which the film spectacle reflects itself in the essentially cinematic culture, that is, in society put in motion exclusively only through the relation of image representations.

Ključne riječi
film; spectacle; world-picture; horror; cinematic culture

Hrčak ID: 245113

URI
https://hrcak.srce.hr/245113

[hrvatski]

Posjeta: 78 *