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https://doi.org/10.21464/fi40404

The King without Body and His Shadow. Towards a Political Theology of Film

Mario Vrbančić   ORCID icon orcid.org/0000-0002-2254-8988 ; Sveučilište u Zadru, Obala kralja Petra Krešimira IV. br. 2, HR–23000 Zadar

Puni tekst: engleski, pdf (502 KB) str. 728-728 preuzimanja: 8* citiraj
APA 6th Edition
Vrbančić, M. (2020). The King without Body and His Shadow. Towards a Political Theology of Film. Filozofska istraživanja, 40 (4), 728-728. https://doi.org/10.21464/fi40404
MLA 8th Edition
Vrbančić, Mario. "The King without Body and His Shadow. Towards a Political Theology of Film." Filozofska istraživanja, vol. 40, br. 4, 2020, str. 728-728. https://doi.org/10.21464/fi40404. Citirano 14.04.2021.
Chicago 17th Edition
Vrbančić, Mario. "The King without Body and His Shadow. Towards a Political Theology of Film." Filozofska istraživanja 40, br. 4 (2020): 728-728. https://doi.org/10.21464/fi40404
Harvard
Vrbančić, M. (2020). 'The King without Body and His Shadow. Towards a Political Theology of Film', Filozofska istraživanja, 40(4), str. 728-728. https://doi.org/10.21464/fi40404
Vancouver
Vrbančić M. The King without Body and His Shadow. Towards a Political Theology of Film. Filozofska istraživanja [Internet]. 2020 [pristupljeno 14.04.2021.];40(4):728-728. https://doi.org/10.21464/fi40404
IEEE
M. Vrbančić, "The King without Body and His Shadow. Towards a Political Theology of Film", Filozofska istraživanja, vol.40, br. 4, str. 728-728, 2020. [Online]. https://doi.org/10.21464/fi40404
Puni tekst: hrvatski, pdf (502 KB) str. 713-728 preuzimanja: 22* citiraj
APA 6th Edition
Vrbančić, M. (2020). Kralj bez tijela i njegova sjena. Prema političkoj teologiji filma. Filozofska istraživanja, 40 (4), 713-728. https://doi.org/10.21464/fi40404
MLA 8th Edition
Vrbančić, Mario. "Kralj bez tijela i njegova sjena. Prema političkoj teologiji filma." Filozofska istraživanja, vol. 40, br. 4, 2020, str. 713-728. https://doi.org/10.21464/fi40404. Citirano 14.04.2021.
Chicago 17th Edition
Vrbančić, Mario. "Kralj bez tijela i njegova sjena. Prema političkoj teologiji filma." Filozofska istraživanja 40, br. 4 (2020): 713-728. https://doi.org/10.21464/fi40404
Harvard
Vrbančić, M. (2020). 'Kralj bez tijela i njegova sjena. Prema političkoj teologiji filma', Filozofska istraživanja, 40(4), str. 713-728. https://doi.org/10.21464/fi40404
Vancouver
Vrbančić M. Kralj bez tijela i njegova sjena. Prema političkoj teologiji filma. Filozofska istraživanja [Internet]. 2020 [pristupljeno 14.04.2021.];40(4):713-728. https://doi.org/10.21464/fi40404
IEEE
M. Vrbančić, "Kralj bez tijela i njegova sjena. Prema političkoj teologiji filma", Filozofska istraživanja, vol.40, br. 4, str. 713-728, 2020. [Online]. https://doi.org/10.21464/fi40404

Sažetak
Inspired by the work of Eric Santner (1996, 2011) on political theology and the king’s two bodies, in this paper, I question the political theology of film. I analyze how the carnal dimension of sovereignty (or king’s second body, the body of his power), migrates into a new body, the body of the people, and in various traces appears in the filmic mode of production that marked the twentieth century. I analyse or instead bring into imaginary connection two characters (one real, the other fictional) who in a way embody this migration: (1) Judge Daniel Paul Schreber (whose autobiographical record of mental illness, from the moment it was published (in 1903), occupied the attention not only of psychiatrists and psychoanalysts but also of various theorists) and (2) Dr. Caligari, a hypnotist in the film The Office of Dr. Caligari (dir. Robert Wiene, 1920), one of the most famous characters of German expressionist film.

Ključne riječi
political theology of film; king’s two bodies; biopower; cinematic mode of production; psychoanalysis

Hrčak ID: 251491

URI
https://hrcak.srce.hr/251491

[hrvatski]

Posjeta: 80 *